After Dark
Vision guides Atlanta’s best and brightest. Whether it’s through Mastodon guitarist Bill Kelliher’s work on Ember City, the new rehearsal studio and practice facility he’s overseeing in Capitol View, or young artists such as ABRA pushing the aesthetics of bedroom pop, R&B, and hip-hop production to dark and inventive new places, Atlantans are never satisfied with the status quo.
New development shuffles the city’s people and cultures around the perimeter like pawns on a chessboard. It’s disruptive, but it only makes us more aware of the relationships Atlanta’s residents have with the urban landscape, and with each other. Experimental hip-hop producer and MC Keith William and modern classical pianist Alexa Lima reinvented their respective musical aesthetics by mashing them together and stripping them of traditional expectations. Lil Yachty rounded up a team of his hometown peers to form his own “yacht club” and push Atlanta hip-hop into artfully gritty new terrain. And Fantasy Guys transformed the city’s tried-and-true rock clubs into all-night beach parties.
Neighborhood-centric DIY music and arts scenes grew out of the Mammal Gallery’s incubator for musical experimentation in South Downtown. Elliott Street Deli & Pub in Castleberry Hill facilitated a thriving grassroots jazz community that’s connected by a scene of world-class musicians. Percussionist Rafael Pereira has built a network that led him all the way to a July Fourth gig at the White House. The festival circuit has boomed. The annual Shaky Knees Festival grows larger with each passing year, and the Wrecking Ball digs deep into punk, hardcore, and emo music to fill a much-needed niche.
In 2016, Atlantans looked thoughtfully at the city around them to find new potential, and plant new roots amid the changing scenery.
— Chad Radford
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
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Year » 2016
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Best local songwriter BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Best lounge BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
Clermont Lounge
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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East Atlanta Village
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Year » 2016
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Best place to hear music for free BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
Piedmont Park
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
Twain's Brewpub & Billiards
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
Hudson Grille AND Taco Mac Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
www.hudsongrille.comhttp://hudsongrille.com AND www.tacomac.com
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Best strip club BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
Clermont Lounge
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
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Year » 2016
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Year » 2016
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Local country music act BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Best legacy for a local composer BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
Jeff Crompton Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
For nearly four decades Atlanta native and saxophonist JEFF CROMPTON has stood among the city’s finest jazz musicians. The 56-year-old retired Fulton County High School band teacher conjures his mojo as a composer and leader of his own groups large (Edgewood Big Band) and small (Edgewood Saxophonemore...
For nearly four decades Atlanta native and saxophonist JEFF CROMPTON has stood among the city’s finest jazz musicians. The 56-year-old retired Fulton County High School band teacher conjures his mojo as a composer and leader of his own groups large (Edgewood Big Band) and small (Edgewood Saxophone Trio). In 2016, Crompton’s legacy was encapsulated on a 7-inch disk. “Tutwiler Depot,” originally penned in the early ’80s, features a glorious collision of baritone, tenor, alto, and soprano saxophones that re-creates the Mississippi train station where W.C. Handy first heard the blues. The B-side, “King Oliver in Savannah,” a relentlessly boogying piece of music written in the late ’90s, is a buzzing hive of reeds, rendering a portrait of the once-great leader of one of the world’s finest jazz ensembles. Like everything else Crompton writes and plays, both songs prod the intellect with a balance of reverential blues and avant-garde jazz that swings like the devil’s juke joint. Crompton has long been viewed as one of Atlanta’s most accomplished players and composers. Now the proof is available for listening. www.jeffcrompton.com.
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Best lesbian bar BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
MSR My Sisters Room
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Best live act BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
Fantasy Guys Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
It only takes about a minute for FANTASY GUYS to engulf an audience in their seaside beach-pop vibe. Phones disappear, smiles widen, and the whole crowd is happily swept away in pulsating waves of surf-pop euphoria. Inyo Galatea (guitar, flute, voice), Maddy Davis (vibraphone, synth, keyboards), andmore...
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less...
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
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Year » 2016
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Year » 2016
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Year » 2016
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
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Best local rock hangout BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
The Earl
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THE EARL is integral to the character of East Atlanta Village. An impressive array of musical talent has flowed through the restaurant and venue’s intimate settings since the doors opened in the summer of ’99. Some of Atlanta’s most revered indie rock acts such as Deerhunter and the Black Lipsmore...
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Year » 2016
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Best local studio BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
studilaroche productions, inc.
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
The work of producer and engineer Ben Price underpins some of Atlanta’s most fearless musical talent. At his home studio dubbed STUDILAROCHE, Price uses his technical and creative prowess to enhance compositions from Little Tybee’s intricate psych-folk to Faun and a Pan Flute’s dizzying brand ofmore...
The work of producer and engineer Ben Price underpins some of Atlanta’s most fearless musical talent. At his home studio dubbed STUDILAROCHE, Price uses his technical and creative prowess to enhance compositions from Little Tybee’s intricate psych-folk to Faun and a Pan Flute’s dizzying brand of modern classical. Price’s production creates a thread of continuity between Atlanta bands, forming a distinct sense of musical community. Before Studilaroche, Price worked with legendary producer Ricky Keller, where he gained early experience working with storied names such as Scarface and Ciara. His ability to frame lavish textures is easily recognizable on some of this year’s most exciting albums, most notably Book of Colors’ eponymous debut and Hello Ocho’s freewheeling sophomore LP, In Portuguese. Those lucky enough to enter Studilaroche’s doors not only get exposure to Price’s extensive recording expertise, but an opportunity to join a local legacy. 404-840-2365. www.studilaroche.com.
less...
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Year » 2016
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Best local vocalist BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Best music festival BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
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The SHAKY KNEES MUSIC FESTIVAL turned four years old last spring — old enough to have an iron grip on the Southeast’s festival scene, and young enough to keep things interesting. The brainchild of promoter Tim Sweetwood has grown steadily with each return, and this year’s move to Centennial Olympicmore...
The SHAKY KNEES MUSIC FESTIVAL turned four years old last spring — old enough to have an iron grip on the Southeast’s festival scene, and young enough to keep things interesting. The brainchild of promoter Tim Sweetwood has grown steadily with each return, and this year’s move to Centennial Olympic Park took the edge off the heat with green grass, dirt, and mud (much more agreeable on the feet than concrete when you’re standing in the sun all day). Since the beginning, SK’s lineup has boasted something for the teen scene, indie aficionados, and dad rockers alike. But placing Jane’s Addiction performing Ritual De Lo Habitual alongside Huey Lewis and the News, Savages, Deftones, the Black Angels, and more surpassed the middle-of-the-road fare that drives such monolithic gatherings. There’s taste and vision on display in Shaky Knees’ lineup. It forces the competition to pick up the pace — even stage DIY counter fests (hello, Flaky Niece Fest) — and Atlanta’s summer music scene is made all the richer because of it. www.shakykneesfestival.com.
less...
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Best neighborhood bar BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
Elliott Street Deli & Pub
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
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Best neighborhood for nightlife BOA Award Winner
Year » 2016
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East Atlanta Village
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Best new post-punk band BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
Maudlin Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
MAUDLIN has a decidedly throwback aesthetic, blending elements of classic ’80s goth and post-punk to carve out its own space amid Atlanta’s punk scene. The band’s members, Sara Slick (bass), Tony Kozera (guitar), Ryan Fetter (drums), and Jessica Knight (vocals), describe themselves as post-punk.more...
MAUDLIN has a decidedly throwback aesthetic, blending elements of classic ’80s goth and post-punk to carve out its own space amid Atlanta’s punk scene. The band’s members, Sara Slick (bass), Tony Kozera (guitar), Ryan Fetter (drums), and Jessica Knight (vocals), describe themselves as post-punk. But while many bands in Atlanta’s DIY scene wear that mark, none of them sound like Maudlin. The group embraces the gothic rock palette of Siouxsie and the Banshees, Bauhaus, and New Order, combined with a grind and dedication to lyricism akin to that of punk rock godmother Patti Smith. To put it plainly, they’re spooky and dope. It didn’t take long for movers in the scene to catch on — their second gig was opening for Wax Idols and King Woman at the Earl, and they subsequently went on tour with NYC goth-punks Pawns, all shortly after releasing their first self-titled EP. That’s no small feat. www.maudlinband.bandcamp.com.
less...
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Even in the bleak, death-afflicted world of Atlanta punk in 2016, MUTUAL JERK’s eponymous demo cassette stands out as an original. The Atlanta quartet celebrates the darkest aspects of modern punk — minimal structures, razor-sharp guitar fuzz, and lo-fi tape hiss — with a skewed fusion of gothicmore...
Even in the bleak, death-afflicted world of Atlanta punk in 2016, MUTUAL JERK’s eponymous demo cassette stands out as an original. The Atlanta quartet celebrates the darkest aspects of modern punk — minimal structures, razor-sharp guitar fuzz, and lo-fi tape hiss — with a skewed fusion of gothic and amateurish punk melodies. The group’s got a warped vibe — all of the musicians are learning their way around new instruments as they go. Guitarist Bobby Michaud (Uniform) and drummer Rob Sarabia (Rapturous Grief, Strategic Warheads) hadn’t played their respective instruments live before Mutual Jerk’s 2015 debut. It’s also bass player Sam Camirand and singer Tyler Roberts’ first band since settling into Atlanta’s punk scene. Songs such as “4 Door Sedan” and “Midtown Set” build around Roberts’ off-center singing style. His vocal delivery takes shape like short stories. Each word is fueled by genuine emotion, a welcome departure from the macho bravado that often dominates abrasive punk music. Mutual Jerk’s demo tape has made the rounds over the last year, earning the group credibility. Roberts’ on-a-dime transformation from an amicable introvert off stage to a bounding frontman on stage makes for a hell of a fun show. www.mutualjerk.bandcamp.com/releases.
less...
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Best no-frills chill BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
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Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Best outdoor music venue BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Readers Pick
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Best outpost for adventurous music BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
The Mammal Gallery
Section » Print Features » Special Issue » Best of Atlanta » 2016 » After Dark » Critics Pick
Tucked away on South Broad Street in Downtown, THE MAMMAL GALLERY is a stronghold for obscure, challenging, and outsider music. The music programming in 2016 alone provided a crucial service for young and old alike in the experimental music scene. Mammal hosted a low-key potluck and open jam sessionmore...
Tucked away on South Broad Street in Downtown, THE MAMMAL GALLERY is a stronghold for obscure, challenging, and outsider music. The music programming in 2016 alone provided a crucial service for young and old alike in the experimental music scene. Mammal hosted a low-key potluck and open jam session with German krautrock legend Faust. The club also opened its stage to such wild jazz luminaries as saxophone player Joe McPhee and the group Universal Indians. Sun Ra Arkestra sax man Marshall Allen also found a stage there with his improv music and film outfit Cinema Soloriens. But in between these nights of skronking mania the stage has been taken over by the likes of New York songstress Shilpa Ray, Atlanta party-pop weirdos Salsa Chest, Club Morph’s genre bending queer-friendly club music nights, and trap music icon 2 Chainz and Sonny Digital on stage together. By providing a home for such a broad cross-section of underground music, legends are being born in a gritty, DIY spot far from the bustling nightlife scenes of East Atlanta and Edgewood Avenue.
less...
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