Best Art Exhibit
array(81) {
["title"]=>
string(31) "Best art for everyday neurotics"
["modification_date"]=>
string(25) "2021-04-08T04:12:00+00:00"
["creation_date"]=>
string(25) "2017-08-20T15:59:58+00:00"
["contributors"]=>
array(1) {
[0]=>
string(9) "ben.eason"
}
["date"]=>
string(25) "2017-08-20T15:59:58+00:00"
["tracker_status"]=>
string(1) "o"
["tracker_id"]=>
string(1) "5"
["view_permission"]=>
string(13) "view_trackers"
["parent_object_id"]=>
string(1) "5"
["parent_object_type"]=>
string(7) "tracker"
["field_permissions"]=>
string(2) "[]"
["tracker_field_boaBASEID"]=>
string(24) "57d3175b39ab46d320865734"
["tracker_field_boaTitle"]=>
string(31) "Best art for everyday neurotics"
["tracker_field_boaWinnersAward"]=>
string(6) "414672"
["tracker_field_boaWinnersAward_text"]=>
string(16) "Best Art Exhibit"
["tracker_field_boaAwardRecipient"]=>
string(11) "Sarah Hobbs"
["tracker_field_boaAwardRecipient_raw"]=>
string(11) "Sarah Hobbs"
["tracker_field_boaOrganization"]=>
string(1) "0"
["tracker_field_boaRelation_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_description"]=>
string(1176) "
Artist SARAH HOBBS explored human neuroses in Perspectives of the Unexpected, a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes with frequent travel, to OCD issues rivaling “Girls’” Hannah Horvath on a bad day. Hobbs chose homey suburban spaces to distort and humanize with clever installations, which she then photographed. In “Avoidance,” swaths of aluminum foil covered the windows and door of a neutral entryway. Post-It notes filled with tiny handwriting loomed over mismatched vintage floral-and-white bedding in “(untitled) insomnia.” Hundreds of vibrantly colored and black dreamcatchers overwhelmed the otherwise spartan bedroom of “untitled (voluntary mental facility).” Hobbs’ work questioned the idea of “normal” and how our inner states contrast with the curated masks we show the world. Her work drilled past social stigmas and expectations to portray day-to-day fears, look at what’s really going on inside, and make the viewer feel less alone. www.sarahhobbs.net."
["tracker_field_description_raw"]=>
string(1188) "
Artist __SARAH HOBBS__ explored human neuroses in ''Perspectives of the Unexpected'', a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes with frequent travel, to OCD issues rivaling “Girls’” Hannah Horvath on a bad day. Hobbs chose homey suburban spaces to distort and humanize with clever installations, which she then photographed. In “Avoidance,” swaths of aluminum foil covered the windows and door of a neutral entryway. Post-It notes filled with tiny handwriting loomed over mismatched vintage floral-and-white bedding in “(untitled) insomnia.” Hundreds of vibrantly colored and black dreamcatchers overwhelmed the otherwise spartan bedroom of “untitled (voluntary mental facility).” Hobbs’ work questioned the idea of “normal” and how our inner states contrast with the curated masks we show the world. Her work drilled past social stigmas and expectations to portray day-to-day fears, look at what’s really going on inside, and make the viewer feel less alone. ''www.sarahhobbs.net.''"
["tracker_field_photos_names"]=>
array(0) {
}
["tracker_field_photos_filenames"]=>
array(0) {
}
["tracker_field_photos_filetypes"]=>
array(0) {
}
["tracker_field_boaWinnersAwardCategory"]=>
array(2) {
[0]=>
string(3) "984"
[1]=>
string(3) "985"
}
["tracker_field_boaWinnersAwardCategory_text"]=>
string(7) "984 985"
["tracker_field_boaWinnersAwardCategory_names"]=>
string(32) "Poets, Artists & Madmen, Critics"
["tracker_field_boaWinnersAwardCategory_paths"]=>
string(184) "Section::Print Features::Special Issue::Best of Atlanta 2019+::Type of Award::Poets, Artists & Madmen, Section::Print Features::Special Issue::Best of Atlanta 2019+::Picked By::Critics"
["tracker_field_boaCategory"]=>
array(1) {
[0]=>
string(3) "264"
}
["tracker_field_boaCategory_text"]=>
string(3) "264"
["tracker_field_boaCategory_names"]=>
string(12) "Critics Pick"
["tracker_field_boaCategory_paths"]=>
string(101) "Section::Print Features::Special Issue::Best of Atlanta::2016::Poets, Artists, & Madmen::Critics Pick"
["tracker_field_boaWinnersAwardYear"]=>
int(2016)
["language"]=>
string(7) "unknown"
["attachments"]=>
array(0) {
}
["comment_count"]=>
int(0)
["categories"]=>
array(4) {
[0]=>
int(264)
[1]=>
int(984)
[2]=>
int(985)
[3]=>
int(246)
}
["deep_categories"]=>
array(12) {
[0]=>
int(1182)
[1]=>
int(1477)
[2]=>
int(669)
[3]=>
int(246)
[4]=>
int(250)
[5]=>
int(254)
[6]=>
int(264)
[7]=>
int(987)
[8]=>
int(978)
[9]=>
int(984)
[10]=>
int(979)
[11]=>
int(985)
}
["categories_under_28"]=>
array(0) {
}
["deep_categories_under_28"]=>
array(0) {
}
["categories_under_1"]=>
array(0) {
}
["deep_categories_under_1"]=>
array(0) {
}
["categories_under_177"]=>
array(0) {
}
["deep_categories_under_177"]=>
array(0) {
}
["categories_under_209"]=>
array(0) {
}
["deep_categories_under_209"]=>
array(0) {
}
["categories_under_163"]=>
array(0) {
}
["deep_categories_under_163"]=>
array(0) {
}
["categories_under_171"]=>
array(0) {
}
["deep_categories_under_171"]=>
array(0) {
}
["categories_under_153"]=>
array(0) {
}
["deep_categories_under_153"]=>
array(0) {
}
["categories_under_242"]=>
array(0) {
}
["deep_categories_under_242"]=>
array(0) {
}
["categories_under_564"]=>
array(0) {
}
["deep_categories_under_564"]=>
array(0) {
}
["categories_under_1182"]=>
array(0) {
}
["deep_categories_under_1182"]=>
array(11) {
[0]=>
int(1477)
[1]=>
int(669)
[2]=>
int(246)
[3]=>
int(250)
[4]=>
int(254)
[5]=>
int(264)
[6]=>
int(987)
[7]=>
int(978)
[8]=>
int(984)
[9]=>
int(979)
[10]=>
int(985)
}
["freetags"]=>
array(0) {
}
["geo_located"]=>
string(1) "n"
["user_groups"]=>
array(8) {
[0]=>
string(27) "Organization Representative"
[1]=>
string(20) "Event Representative"
[2]=>
string(22) "Product Representative"
[3]=>
string(17) "CL Correspondents"
[4]=>
string(18) "Account Executives"
[5]=>
string(6) "Admins"
[6]=>
string(7) "Artists"
[7]=>
string(12) "Wiki Editors"
}
["user_followers"]=>
array(2) {
[0]=>
string(5) "jonny"
[1]=>
string(14) "thevinylwarhol"
}
["like_list"]=>
array(0) {
}
["allowed_groups"]=>
array(14) {
[0]=>
string(6) "Admins"
[1]=>
string(18) "Account Executives"
[2]=>
string(9) "Anonymous"
[3]=>
string(7) "Artists"
[4]=>
string(19) "Band Representative"
[5]=>
string(17) "CL Correspondents"
[6]=>
string(10) "CL Critics"
[7]=>
string(10) "CL Editors"
[8]=>
string(20) "Event Representative"
[9]=>
string(26) "Organization Rep (Trusted)"
[10]=>
string(27) "Organization Representative"
[11]=>
string(22) "Product Representative"
[12]=>
string(10) "Registered"
[13]=>
string(12) "Wiki Editors"
}
["allowed_users"]=>
array(0) {
}
["relations"]=>
array(0) {
}
["relation_objects"]=>
array(0) {
}
["relation_types"]=>
array(0) {
}
["relation_count"]=>
array(0) {
}
["title_initial"]=>
string(1) "B"
["title_firstword"]=>
string(4) "Best"
["searchable"]=>
string(1) "y"
["url"]=>
string(10) "item132335"
["object_type"]=>
string(11) "trackeritem"
["object_id"]=>
string(6) "132335"
["contents"]=>
string(1330) "
Artist SARAH HOBBS explored human neuroses in Perspectives of the Unexpected, a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes with frequent travel, to OCD issues rivaling “Girls’” Hannah Horvath on a bad day. Hobbs chose homey suburban spaces to distort and humanize with clever installations, which she then photographed. In “Avoidance,” swaths of aluminum foil covered the windows and door of a neutral entryway. Post-It notes filled with tiny handwriting loomed over mismatched vintage floral-and-white bedding in “(untitled) insomnia.” Hundreds of vibrantly colored and black dreamcatchers overwhelmed the otherwise spartan bedroom of “untitled (voluntary mental facility).” Hobbs’ work questioned the idea of “normal” and how our inner states contrast with the curated masks we show the world. Her work drilled past social stigmas and expectations to portray day-to-day fears, look at what’s really going on inside, and make the viewer feel less alone. www.sarahhobbs.net. 57d3175b39ab46d320865734 Best art for everyday neurotics Best Art Exhibit Sarah Hobbs 2017-08-20T15:59:58+00:00 Best art for everyday neurotics "
["score"]=>
float(0)
["_index"]=>
string(35) "atlantawiki_tiki_main_628dc5e1a8f38"
["photo"]=>
string(125) "
"
["boaCategory"]=>
string(62) "Type of Award::Poets, Artists & Madmen
Picked By::Critics"
["desc"]=>
string(1230) "
Artist SARAH HOBBS explored human neuroses in Perspectives of the Unexpected, a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes with frequent travel, to OCD issues rivaling “Girls’” Hannah Horvath on a bad day. Hobbs chose homey suburban spaces to distort and humanize with clever installations, which she then photographed. In “Avoidance,” swaths of aluminum foil covered the windows and door of a neutral entryway. Post-It notes filled with tiny handwriting loomed over mismatched vintage floral-and-white bedding in “(untitled) insomnia.” Hundreds of vibrantly colored and black dreamcatchers overwhelmed the otherwise spartan bedroom of “untitled (voluntary mental facility).” Hobbs’ work questioned the idea of “normal” and how our inner states contrast with the curated masks we show the world. Her work drilled past social stigmas and expectations to portray day-to-day fears, look at what’s really going on inside, and make the viewer feel less alone. www.sarahhobbs.net.
"
}
Best art for everyday neurotics BOA Award Winner
Year » 2016
Section » Print Features » Special Issue » Best of Atlanta » 2016 » Poets, Artists, & Madmen » Critics Pick
Sarah Hobbs Section » Print Features » Special Issue » Best of Atlanta » 2016 » Poets, Artists, & Madmen » Critics Pick
Artist SARAH HOBBS explored human neuroses in Perspectives of the Unexpected, a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes withmore...
Artist SARAH HOBBS explored human neuroses in Perspectives of the Unexpected, a February show at Chastain Arts Center that also featured Atlanta artist Susie Winton. Hobbs’ large-scale chromogenic prints focused on modern anxieties ranging from the everyday, such as the homesickness that comes with frequent travel, to OCD issues rivaling “Girls’” Hannah Horvath on a bad day. Hobbs chose homey suburban spaces to distort and humanize with clever installations, which she then photographed. In “Avoidance,” swaths of aluminum foil covered the windows and door of a neutral entryway. Post-It notes filled with tiny handwriting loomed over mismatched vintage floral-and-white bedding in “(untitled) insomnia.” Hundreds of vibrantly colored and black dreamcatchers overwhelmed the otherwise spartan bedroom of “untitled (voluntary mental facility).” Hobbs’ work questioned the idea of “normal” and how our inner states contrast with the curated masks we show the world. Her work drilled past social stigmas and expectations to portray day-to-day fears, look at what’s really going on inside, and make the viewer feel less alone. www.sarahhobbs.net.
less...
array(86) {
["title"]=>
string(28) "Best local trend in the arts"
["modification_date"]=>
string(25) "2021-04-08T03:53:15+00:00"
["creation_date"]=>
string(25) "2017-08-31T21:01:52+00:00"
["contributors"]=>
array(1) {
[0]=>
string(9) "ben.eason"
}
["date"]=>
string(25) "2017-08-31T21:01:52+00:00"
["tracker_status"]=>
string(1) "o"
["tracker_id"]=>
string(1) "5"
["view_permission"]=>
string(13) "view_trackers"
["parent_object_id"]=>
string(1) "5"
["parent_object_type"]=>
string(7) "tracker"
["field_permissions"]=>
string(2) "[]"
["tracker_field_boaBASEID"]=>
string(8) "13069830"
["tracker_field_boaLegacyID"]=>
string(7) "6257630"
["tracker_field_boaTitle"]=>
string(28) "Best local trend in the arts"
["tracker_field_boaWinnersAward"]=>
string(6) "414672"
["tracker_field_boaWinnersAward_text"]=>
string(16) "Best Art Exhibit"
["tracker_field_boaAwardRecipient"]=>
string(22) "Immersive art exhibits"
["tracker_field_boaAwardRecipient_raw"]=>
string(22) "Immersive art exhibits"
["tracker_field_boaOrganization"]=>
string(1) "0"
["tracker_field_boaRelation"]=>
string(18) "trackeritem:470655"
["tracker_field_boaRelation_multi"]=>
array(1) {
[0]=>
string(18) "trackeritem:470655"
}
["tracker_field_boaRelation_plain"]=>
string(11) "jason.kofke"
["tracker_field_boaRelation_text"]=>
string(11) "jason.kofke"
["tracker_field_description"]=>
string(1296) "A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing immersive art exhibits. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiar spaces into moody set pieces. Ben Roosevelt's The Blue Flame, a physical manifestation of a dream Roosevelt had about Iggy Pop, Samuel Coleridge, Dante, and conceptual artist Joseph Beuys, converted Get This! Gallery into a faux dive bar reminiscent of the one in "Twin Peaks," complete with wood paneling and live karaoke. At Beep Beep Gallery, Jason Kofke and Chris Chambers collaborated on The Ends, an ode to the analog, the transience of technology, and the fear mongering that pervades our collective modern psyche. An '80s-era Pontiac Fiero was wedged into the small gallery space and surrounded with digital ephemera (old MacBooks, a video yearbook) and references to 1986's Challenger shuttle disaster. Dashboard Co-op curated Nathan Sharratt's Come. Inside Me., a compelling performance-based installation about family, home, sense memory, and the circle of life. In all three cases, the risk-taking paid off to create some of the year's most spectacular and transportive experiences."
["tracker_field_description_raw"]=>
string(1312) "A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing __immersive art exhibits__. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiar spaces into moody set pieces. Ben Roosevelt's ''The Blue Flame'', a physical manifestation of a dream Roosevelt had about Iggy Pop, Samuel Coleridge, Dante, and conceptual artist Joseph Beuys, converted Get This! Gallery into a faux dive bar reminiscent of the one in "Twin Peaks," complete with wood paneling and live karaoke. At Beep Beep Gallery, Jason Kofke and Chris Chambers collaborated on ''The Ends'', an ode to the analog, the transience of technology, and the fear mongering that pervades our collective modern psyche. An '80s-era Pontiac Fiero was wedged into the small gallery space and surrounded with digital ephemera (old MacBooks, a video yearbook) and references to 1986's Challenger shuttle disaster. Dashboard Co-op curated Nathan Sharratt's ''Come. Inside Me.'', a compelling performance-based installation about family, home, sense memory, and the circle of life. In all three cases, the risk-taking paid off to create some of the year's most spectacular and transportive experiences."
["tracker_field_legacyImageURL"]=>
string(84) "https://dev.creativeloafing.com/image/mediaserver/atlanta/2015-17/beepbeep_thumb.jpg"
["tracker_field_photos_names"]=>
array(0) {
}
["tracker_field_photos_filenames"]=>
array(0) {
}
["tracker_field_photos_filetypes"]=>
array(0) {
}
["tracker_field_boaWinnersAwardCategory"]=>
array(2) {
[0]=>
string(3) "984"
[1]=>
string(3) "985"
}
["tracker_field_boaWinnersAwardCategory_text"]=>
string(7) "984 985"
["tracker_field_boaWinnersAwardCategory_names"]=>
string(32) "Poets, Artists & Madmen, Critics"
["tracker_field_boaWinnersAwardCategory_paths"]=>
string(184) "Section::Print Features::Special Issue::Best of Atlanta 2019+::Type of Award::Poets, Artists & Madmen, Section::Print Features::Special Issue::Best of Atlanta 2019+::Picked By::Critics"
["tracker_field_boaCategory"]=>
array(1) {
[0]=>
string(3) "443"
}
["tracker_field_boaCategory_text"]=>
string(3) "443"
["tracker_field_boaCategory_names"]=>
string(12) "Critics Pick"
["tracker_field_boaCategory_paths"]=>
string(101) "Section::Print Features::Special Issue::Best of Atlanta::2012::Poets, Artists, & Madmen::Critics Pick"
["tracker_field_boaWinnersAwardYear"]=>
int(2012)
["language"]=>
string(7) "unknown"
["attachments"]=>
array(0) {
}
["comment_count"]=>
int(0)
["categories"]=>
array(4) {
[0]=>
int(443)
[1]=>
int(984)
[2]=>
int(985)
[3]=>
int(246)
}
["deep_categories"]=>
array(12) {
[0]=>
int(1182)
[1]=>
int(1477)
[2]=>
int(669)
[3]=>
int(246)
[4]=>
int(322)
[5]=>
int(434)
[6]=>
int(443)
[7]=>
int(987)
[8]=>
int(978)
[9]=>
int(984)
[10]=>
int(979)
[11]=>
int(985)
}
["categories_under_28"]=>
array(0) {
}
["deep_categories_under_28"]=>
array(0) {
}
["categories_under_1"]=>
array(0) {
}
["deep_categories_under_1"]=>
array(0) {
}
["categories_under_177"]=>
array(0) {
}
["deep_categories_under_177"]=>
array(0) {
}
["categories_under_209"]=>
array(0) {
}
["deep_categories_under_209"]=>
array(0) {
}
["categories_under_163"]=>
array(0) {
}
["deep_categories_under_163"]=>
array(0) {
}
["categories_under_171"]=>
array(0) {
}
["deep_categories_under_171"]=>
array(0) {
}
["categories_under_153"]=>
array(0) {
}
["deep_categories_under_153"]=>
array(0) {
}
["categories_under_242"]=>
array(0) {
}
["deep_categories_under_242"]=>
array(0) {
}
["categories_under_564"]=>
array(0) {
}
["deep_categories_under_564"]=>
array(0) {
}
["categories_under_1182"]=>
array(0) {
}
["deep_categories_under_1182"]=>
array(11) {
[0]=>
int(1477)
[1]=>
int(669)
[2]=>
int(246)
[3]=>
int(322)
[4]=>
int(434)
[5]=>
int(443)
[6]=>
int(987)
[7]=>
int(978)
[8]=>
int(984)
[9]=>
int(979)
[10]=>
int(985)
}
["freetags"]=>
array(0) {
}
["geo_located"]=>
string(1) "n"
["user_groups"]=>
array(8) {
[0]=>
string(27) "Organization Representative"
[1]=>
string(20) "Event Representative"
[2]=>
string(22) "Product Representative"
[3]=>
string(17) "CL Correspondents"
[4]=>
string(18) "Account Executives"
[5]=>
string(6) "Admins"
[6]=>
string(7) "Artists"
[7]=>
string(12) "Wiki Editors"
}
["user_followers"]=>
array(2) {
[0]=>
string(5) "jonny"
[1]=>
string(14) "thevinylwarhol"
}
["like_list"]=>
array(0) {
}
["allowed_groups"]=>
array(14) {
[0]=>
string(6) "Admins"
[1]=>
string(18) "Account Executives"
[2]=>
string(9) "Anonymous"
[3]=>
string(7) "Artists"
[4]=>
string(19) "Band Representative"
[5]=>
string(17) "CL Correspondents"
[6]=>
string(10) "CL Critics"
[7]=>
string(10) "CL Editors"
[8]=>
string(20) "Event Representative"
[9]=>
string(26) "Organization Rep (Trusted)"
[10]=>
string(27) "Organization Representative"
[11]=>
string(22) "Product Representative"
[12]=>
string(10) "Registered"
[13]=>
string(12) "Wiki Editors"
}
["allowed_users"]=>
array(0) {
}
["relations"]=>
array(1) {
[0]=>
string(35) "clatl.boa.winner:trackeritem:470655"
}
["relation_objects"]=>
array(0) {
}
["relation_types"]=>
array(1) {
[0]=>
string(16) "clatl.boa.winner"
}
["relation_count"]=>
array(1) {
[0]=>
string(18) "clatl.boa.winner:1"
}
["title_initial"]=>
string(1) "B"
["title_firstword"]=>
string(4) "Best"
["searchable"]=>
string(1) "y"
["url"]=>
string(10) "item137381"
["object_type"]=>
string(11) "trackeritem"
["object_id"]=>
string(6) "137381"
["contents"]=>
string(1541) " A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing immersive art exhibits. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiar spaces into moody set pieces. Ben Roosevelt's The Blue Flame, a physical manifestation of a dream Roosevelt had about Iggy Pop, Samuel Coleridge, Dante, and conceptual artist Joseph Beuys, converted Get This! Gallery into a faux dive bar reminiscent of the one in "Twin Peaks," complete with wood paneling and live karaoke. At Beep Beep Gallery, Jason Kofke and Chris Chambers collaborated on The Ends, an ode to the analog, the transience of technology, and the fear mongering that pervades our collective modern psyche. An '80s-era Pontiac Fiero was wedged into the small gallery space and surrounded with digital ephemera (old MacBooks, a video yearbook) and references to 1986's Challenger shuttle disaster. Dashboard Co-op curated Nathan Sharratt's Come. Inside Me., a compelling performance-based installation about family, home, sense memory, and the circle of life. In all three cases, the risk-taking paid off to create some of the year's most spectacular and transportive experiences. https://dev.creativeloafing.com/image/mediaserver/atlanta/2015-17/beepbeep_thumb.jpg 13069830 6257630 Best local trend in the arts Best Art Exhibit Immersive art exhibits jason.kofke 2017-08-31T21:01:52+00:00 Best local trend in the arts "
["score"]=>
float(0)
["_index"]=>
string(35) "atlantawiki_tiki_main_628dc5e1a8f38"
["photo"]=>
string(125) "
"
["boaCategory"]=>
string(62) "Type of Award::Poets, Artists & Madmen
Picked By::Critics"
["desc"]=>
string(1340) "A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing immersive art exhibits. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiar spaces into moody set pieces. Ben Roosevelt's The Blue Flame, a physical manifestation of a dream Roosevelt had about Iggy Pop, Samuel Coleridge, Dante, and conceptual artist Joseph Beuys, converted Get This! Gallery into a faux dive bar reminiscent of the one in "Twin Peaks," complete with wood paneling and live karaoke. At Beep Beep Gallery, Jason Kofke and Chris Chambers collaborated on The Ends, an ode to the analog, the transience of technology, and the fear mongering that pervades our collective modern psyche. An '80s-era Pontiac Fiero was wedged into the small gallery space and surrounded with digital ephemera (old MacBooks, a video yearbook) and references to 1986's Challenger shuttle disaster. Dashboard Co-op curated Nathan Sharratt's Come. Inside Me., a compelling performance-based installation about family, home, sense memory, and the circle of life. In all three cases, the risk-taking paid off to create some of the year's most spectacular and transportive experiences."
}
Best local trend in the arts BOA Award Winner
Year » 2012
Section » Print Features » Special Issue » Best of Atlanta » 2012 » Poets, Artists, & Madmen » Critics Pick
Immersive art exhibits Section » Print Features » Special Issue » Best of Atlanta » 2012 » Poets, Artists, & Madmen » Critics Pick
array(76) {
["title"]=>
string(11) "jason.kofke"
["modification_date"]=>
string(25) "2022-02-01T18:48:26+00:00"
["creation_date"]=>
string(25) "2020-05-08T18:46:20+00:00"
["contributors"]=>
array(2) {
[0]=>
string(8) "alexanea"
[1]=>
string(9) "ben.eason"
}
["date"]=>
string(25) "2020-05-08T18:46:20+00:00"
["tracker_status"]=>
string(1) "o"
["tracker_id"]=>
string(1) "9"
["view_permission"]=>
string(13) "view_trackers"
["parent_object_id"]=>
string(1) "9"
["parent_object_type"]=>
string(7) "tracker"
["field_permissions"]=>
string(1615) "{"personAvatarLink":{"allowed_users":[],"allowed_groups":["CL Editors"],"perm_names":["tracker_field_personAvatarLink"]},"personPrivateNotes":{"allowed_users":[],"allowed_groups":[],"perm_names":["tracker_field_personPrivateNotes","tracker_field_personPrivateNotes_raw"]},"personPersonType":{"allowed_users":[],"allowed_groups":["CL Editors"],"perm_names":["tracker_field_personPersonType","tracker_field_personPersonType_text","tracker_field_personPersonType_names","tracker_field_personPersonType_paths"]},"personAuthorName":{"allowed_users":[],"allowed_groups":["Admins"],"perm_names":["tracker_field_personAuthorName"]},"personAuthorWebsite":{"allowed_users":[],"allowed_groups":["Admins"],"perm_names":["tracker_field_personAuthorWebsite"]},"personAuthorEmail":{"allowed_users":[],"allowed_groups":["Admins"],"perm_names":["tracker_field_personAuthorEmail","tracker_field_personAuthorEmail_text"]},"personAuthorBio":{"allowed_users":[],"allowed_groups":["Admins"],"perm_names":["tracker_field_personAuthorBio","tracker_field_personAuthorBio_raw"]},"scene":{"allowed_users":[],"allowed_groups":["CL Editors"],"perm_names":["tracker_field_scene","tracker_field_scene_text","tracker_field_scene_names","tracker_field_scene_paths"]},"personEventSpecialty":{"allowed_users":[],"allowed_groups":["CL Editors"],"perm_names":["tracker_field_personEventSpecialty","tracker_field_personEventSpecialty_text","tracker_field_personEventSpecialty_names","tracker_field_personEventSpecialty_paths"]},"personWikiPage":{"allowed_users":[],"allowed_groups":["Admins","CL Editors"],"perm_names":["tracker_field_personWikiPage"]}}"
["tracker_field_personName"]=>
string(17) "Jason Scott Kofke"
["tracker_field_personUser"]=>
string(11) "jason.kofke"
["tracker_field_personUser_text"]=>
string(11) "jason.kofke"
["tracker_field_personUser_unstemmed"]=>
string(11) "jason.kofke"
["tracker_field_description"]=>
string(39) "Jason Kofke is an Atlanta-based artist."
["tracker_field_description_raw"]=>
string(39) "Jason Kofke is an Atlanta-based artist."
["tracker_field_personJobTitle"]=>
string(6) "Artist"
["tracker_field_photos_names"]=>
array(0) {
}
["tracker_field_photos_filenames"]=>
array(0) {
}
["tracker_field_photos_filetypes"]=>
array(0) {
}
["tracker_field_personNeighborhoods_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_personBusinesses_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_personWikiPages_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_personMiscCategories"]=>
array(0) {
}
["tracker_field_personSoundCloudData"]=>
array(0) {
}
["tracker_field_personSoundCloudData_json"]=>
array(0) {
}
["language"]=>
string(7) "unknown"
["attachments"]=>
array(0) {
}
["comment_count"]=>
int(0)
["categories"]=>
array(1) {
[0]=>
int(165)
}
["deep_categories"]=>
array(4) {
[0]=>
int(163)
[1]=>
int(1343)
[2]=>
int(1394)
[3]=>
int(165)
}
["categories_under_28"]=>
array(0) {
}
["deep_categories_under_28"]=>
array(0) {
}
["categories_under_1"]=>
array(0) {
}
["deep_categories_under_1"]=>
array(0) {
}
["categories_under_177"]=>
array(0) {
}
["deep_categories_under_177"]=>
array(0) {
}
["categories_under_209"]=>
array(0) {
}
["deep_categories_under_209"]=>
array(0) {
}
["categories_under_163"]=>
array(0) {
}
["deep_categories_under_163"]=>
array(3) {
[0]=>
int(1343)
[1]=>
int(1394)
[2]=>
int(165)
}
["categories_under_171"]=>
array(0) {
}
["deep_categories_under_171"]=>
array(0) {
}
["categories_under_153"]=>
array(0) {
}
["deep_categories_under_153"]=>
array(0) {
}
["categories_under_242"]=>
array(0) {
}
["deep_categories_under_242"]=>
array(0) {
}
["categories_under_564"]=>
array(0) {
}
["deep_categories_under_564"]=>
array(0) {
}
["categories_under_1182"]=>
array(0) {
}
["deep_categories_under_1182"]=>
array(0) {
}
["freetags"]=>
array(0) {
}
["geo_located"]=>
string(1) "n"
["user_groups"]=>
array(9) {
[0]=>
string(22) "Product Representative"
[1]=>
string(12) "Wiki Editors"
[2]=>
string(17) "CL Correspondents"
[3]=>
string(10) "CL Editors"
[4]=>
string(27) "Organization Representative"
[5]=>
string(20) "Event Representative"
[6]=>
string(18) "Account Executives"
[7]=>
string(6) "Admins"
[8]=>
string(7) "Artists"
}
["user_followers"]=>
array(2) {
[0]=>
string(5) "jonny"
[1]=>
string(14) "thevinylwarhol"
}
["like_list"]=>
array(0) {
}
["allowed_groups"]=>
array(14) {
[0]=>
string(6) "Admins"
[1]=>
string(18) "Account Executives"
[2]=>
string(9) "Anonymous"
[3]=>
string(7) "Artists"
[4]=>
string(19) "Band Representative"
[5]=>
string(17) "CL Correspondents"
[6]=>
string(10) "CL Critics"
[7]=>
string(10) "CL Editors"
[8]=>
string(20) "Event Representative"
[9]=>
string(26) "Organization Rep (Trusted)"
[10]=>
string(27) "Organization Representative"
[11]=>
string(22) "Product Representative"
[12]=>
string(10) "Registered"
[13]=>
string(12) "Wiki Editors"
}
["allowed_users"]=>
array(1) {
[0]=>
string(11) "jason.kofke"
}
["relations"]=>
array(54) {
[0]=>
string(47) "content.related.items.invert:trackeritem:470629"
[1]=>
string(47) "content.related.items.invert:trackeritem:469645"
[2]=>
string(45) "event.related.items.invert:trackeritem:358668"
[3]=>
string(47) "content.related.items.invert:trackeritem:217422"
[4]=>
string(45) "event.related.items.invert:trackeritem:332136"
[5]=>
string(47) "content.related.items.invert:trackeritem:180213"
[6]=>
string(47) "content.related.items.invert:trackeritem:215709"
[7]=>
string(45) "event.related.items.invert:trackeritem:354689"
[8]=>
string(47) "content.related.items.invert:trackeritem:231605"
[9]=>
string(47) "content.related.items.invert:trackeritem:214807"
[10]=>
string(45) "event.related.items.invert:trackeritem:339348"
[11]=>
string(45) "event.related.items.invert:trackeritem:336785"
[12]=>
string(47) "content.related.items.invert:trackeritem:197377"
[13]=>
string(47) "content.related.items.invert:trackeritem:202520"
[14]=>
string(47) "content.related.items.invert:trackeritem:225515"
[15]=>
string(47) "content.related.items.invert:trackeritem:225587"
[16]=>
string(45) "event.related.items.invert:trackeritem:354106"
[17]=>
string(45) "event.related.items.invert:trackeritem:379483"
[18]=>
string(47) "content.related.items.invert:trackeritem:197249"
[19]=>
string(45) "event.related.items.invert:trackeritem:333547"
[20]=>
string(45) "event.related.items.invert:trackeritem:338556"
[21]=>
string(45) "event.related.items.invert:trackeritem:354293"
[22]=>
string(47) "content.related.items.invert:trackeritem:205201"
[23]=>
string(47) "content.related.items.invert:trackeritem:208658"
[24]=>
string(45) "event.related.items.invert:trackeritem:338794"
[25]=>
string(47) "content.related.items.invert:trackeritem:151640"
[26]=>
string(47) "content.related.items.invert:trackeritem:203613"
[27]=>
string(47) "content.related.items.invert:trackeritem:217437"
[28]=>
string(47) "content.related.items.invert:trackeritem:217448"
[29]=>
string(47) "content.related.items.invert:trackeritem:216164"
[30]=>
string(47) "content.related.items.invert:trackeritem:202590"
[31]=>
string(47) "content.related.items.invert:trackeritem:201183"
[32]=>
string(47) "content.related.items.invert:trackeritem:215627"
[33]=>
string(47) "content.related.items.invert:trackeritem:211997"
[34]=>
string(47) "content.related.items.invert:trackeritem:209419"
[35]=>
string(47) "content.related.items.invert:trackeritem:214727"
[36]=>
string(42) "clatl.boa.winner.invert:trackeritem:137381"
[37]=>
string(47) "content.related.items.invert:trackeritem:219522"
[38]=>
string(47) "content.related.items.invert:trackeritem:216172"
[39]=>
string(47) "content.related.items.invert:trackeritem:202581"
[40]=>
string(47) "content.related.items.invert:trackeritem:202683"
[41]=>
string(47) "content.related.items.invert:trackeritem:202678"
[42]=>
string(47) "content.related.items.invert:trackeritem:202689"
[43]=>
string(47) "content.related.items.invert:trackeritem:161383"
[44]=>
string(47) "content.related.items.invert:trackeritem:202667"
[45]=>
string(47) "content.related.items.invert:trackeritem:219291"
[46]=>
string(47) "content.related.items.invert:trackeritem:180244"
[47]=>
string(47) "content.related.items.invert:trackeritem:202677"
[48]=>
string(47) "content.related.items.invert:trackeritem:232596"
[49]=>
string(47) "content.related.items.invert:trackeritem:202674"
[50]=>
string(47) "content.related.items.invert:trackeritem:266728"
[51]=>
string(47) "content.related.items.invert:trackeritem:168786"
[52]=>
string(47) "content.related.items.invert:trackeritem:202707"
[53]=>
string(47) "content.related.items.invert:trackeritem:196406"
}
["relation_objects"]=>
array(0) {
}
["relation_types"]=>
array(3) {
[0]=>
string(28) "content.related.items.invert"
[1]=>
string(26) "event.related.items.invert"
[2]=>
string(23) "clatl.boa.winner.invert"
}
["relation_count"]=>
array(3) {
[0]=>
string(31) "content.related.items.invert:42"
[1]=>
string(29) "event.related.items.invert:11"
[2]=>
string(25) "clatl.boa.winner.invert:1"
}
["title_initial"]=>
string(1) "J"
["title_firstword"]=>
string(11) "jason.kofke"
["searchable"]=>
string(1) "y"
["url"]=>
string(10) "item470655"
["object_type"]=>
string(11) "trackeritem"
["object_id"]=>
string(6) "470655"
["contents"]=>
string(137) " Jason Kofke is an Atlanta-based artist. 2020-05-08T18:46:20+00:00 Jason Scott Kofke jason.kofke Artist jason.kofke "
["score"]=>
float(14.12)
["_index"]=>
string(35) "atlantawiki_tiki_main_628dc5e1a8f38"
["ignored_fields"]=>
array(22) {
[0]=>
string(30) "tracker_field_personAvatarLink"
[1]=>
string(32) "tracker_field_personPrivateNotes"
[2]=>
string(36) "tracker_field_personPrivateNotes_raw"
[3]=>
string(30) "tracker_field_personPersonType"
[4]=>
string(35) "tracker_field_personPersonType_text"
[5]=>
string(36) "tracker_field_personPersonType_names"
[6]=>
string(36) "tracker_field_personPersonType_paths"
[7]=>
string(30) "tracker_field_personAuthorName"
[8]=>
string(33) "tracker_field_personAuthorWebsite"
[9]=>
string(31) "tracker_field_personAuthorEmail"
[10]=>
string(36) "tracker_field_personAuthorEmail_text"
[11]=>
string(29) "tracker_field_personAuthorBio"
[12]=>
string(33) "tracker_field_personAuthorBio_raw"
[13]=>
string(19) "tracker_field_scene"
[14]=>
string(24) "tracker_field_scene_text"
[15]=>
string(25) "tracker_field_scene_names"
[16]=>
string(25) "tracker_field_scene_paths"
[17]=>
string(34) "tracker_field_personEventSpecialty"
[18]=>
string(39) "tracker_field_personEventSpecialty_text"
[19]=>
string(40) "tracker_field_personEventSpecialty_names"
[20]=>
string(40) "tracker_field_personEventSpecialty_paths"
[21]=>
string(28) "tracker_field_personWikiPage"
}
["objectlink"]=>
string(189) " jason.kofke"
["photos"]=>
string(44) "No value for 'tracker_field_photos'"
["desc"]=>
string(39) "Jason Kofke is an Atlanta-based artist."
}
A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing immersive art exhibits. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiarmore...
A subconscious tendency emerged among a handful of artists, gallerists, and curators this year for producing immersive art exhibits. In particular, shows at Get This! and Beep Beep galleries, and another by Dashboard Co-op in a vacant Summerhill bungalow, looked to installations to transform familiar spaces into moody set pieces. Ben Roosevelt's The Blue Flame, a physical manifestation of a dream Roosevelt had about Iggy Pop, Samuel Coleridge, Dante, and conceptual artist Joseph Beuys, converted Get This! Gallery into a faux dive bar reminiscent of the one in "Twin Peaks," complete with wood paneling and live karaoke. At Beep Beep Gallery, Jason Kofke and Chris Chambers collaborated on The Ends, an ode to the analog, the transience of technology, and the fear mongering that pervades our collective modern psyche. An '80s-era Pontiac Fiero was wedged into the small gallery space and surrounded with digital ephemera (old MacBooks, a video yearbook) and references to 1986's Challenger shuttle disaster. Dashboard Co-op curated Nathan Sharratt's Come. Inside Me., a compelling performance-based installation about family, home, sense memory, and the circle of life. In all three cases, the risk-taking paid off to create some of the year's most spectacular and transportive experiences.
less...
array(82) {
["title"]=>
string(15) "Best Timely Art"
["modification_date"]=>
string(25) "2021-04-08T03:46:47+00:00"
["creation_date"]=>
string(25) "2017-08-31T15:43:03+00:00"
["contributors"]=>
array(1) {
[0]=>
string(9) "ben.eason"
}
["date"]=>
string(25) "2017-08-31T15:43:03+00:00"
["tracker_status"]=>
string(1) "o"
["tracker_id"]=>
string(1) "5"
["view_permission"]=>
string(13) "view_trackers"
["parent_object_id"]=>
string(1) "5"
["parent_object_type"]=>
string(7) "tracker"
["field_permissions"]=>
string(2) "[]"
["tracker_field_boaBASEID"]=>
string(8) "13036738"
["tracker_field_boaLegacyID"]=>
string(7) "1392550"
["tracker_field_boaTitle"]=>
string(15) "Best Timely Art"
["tracker_field_boaWinnersAward"]=>
string(6) "414672"
["tracker_field_boaWinnersAward_text"]=>
string(16) "Best Art Exhibit"
["tracker_field_boaAwardRecipient"]=>
string(33) "Atlanta Photography Group Gallery"
["tracker_field_boaAwardRecipient_raw"]=>
string(33) "Atlanta Photography Group Gallery"
["tracker_field_boaOrganization"]=>
string(1) "0"
["tracker_field_boaRelation_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_description"]=>
string(709) "It hasn’t always been easy for the ATLANTA PHOTOGRAPHY GROUP GALLERY, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers. In an art scene that often seemed oblivious to world events, two exhibitions reminded Atlantans of the despair beyond American borders. Unembedded: Independent Photojournalism in Iraq featured the work of independent photojournalists in Iraq, while the genocide in Democratic Republic of the Congo: Forgotten War highlighted the world-class talents of such humanist photojournalists as James Nachtwey."
["tracker_field_description_raw"]=>
string(717) "It hasn’t always been easy for the __ATLANTA PHOTOGRAPHY GROUP GALLERY__, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers. In an art scene that often seemed oblivious to world events, two exhibitions reminded Atlantans of the despair beyond American borders. ''Unembedded: Independent Photojournalism in Iraq'' featured the work of independent photojournalists in Iraq, while the genocide in ''Democratic Republic of the Congo: Forgotten War'' highlighted the world-class talents of such humanist photojournalists as James Nachtwey."
["tracker_field_photos_names"]=>
array(0) {
}
["tracker_field_photos_filenames"]=>
array(0) {
}
["tracker_field_photos_filetypes"]=>
array(0) {
}
["tracker_field_boaWinnersAwardCategory"]=>
array(2) {
[0]=>
string(3) "984"
[1]=>
string(3) "985"
}
["tracker_field_boaWinnersAwardCategory_text"]=>
string(7) "984 985"
["tracker_field_boaWinnersAwardCategory_names"]=>
string(32) "Poets, Artists & Madmen, Critics"
["tracker_field_boaWinnersAwardCategory_paths"]=>
string(184) "Section::Print Features::Special Issue::Best of Atlanta 2019+::Type of Award::Poets, Artists & Madmen, Section::Print Features::Special Issue::Best of Atlanta 2019+::Picked By::Critics"
["tracker_field_boaCategory"]=>
array(1) {
[0]=>
string(3) "368"
}
["tracker_field_boaCategory_text"]=>
string(3) "368"
["tracker_field_boaCategory_names"]=>
string(12) "Critics Pick"
["tracker_field_boaCategory_paths"]=>
string(101) "Section::Print Features::Special Issue::Best of Atlanta::2007::Poets, Artists, & Madmen::Critics Pick"
["tracker_field_boaWinnersAwardYear"]=>
int(2007)
["language"]=>
string(7) "unknown"
["attachments"]=>
array(0) {
}
["comment_count"]=>
int(0)
["categories"]=>
array(4) {
[0]=>
int(368)
[1]=>
int(984)
[2]=>
int(985)
[3]=>
int(246)
}
["deep_categories"]=>
array(12) {
[0]=>
int(1182)
[1]=>
int(1477)
[2]=>
int(669)
[3]=>
int(246)
[4]=>
int(317)
[5]=>
int(359)
[6]=>
int(368)
[7]=>
int(987)
[8]=>
int(978)
[9]=>
int(984)
[10]=>
int(979)
[11]=>
int(985)
}
["categories_under_28"]=>
array(0) {
}
["deep_categories_under_28"]=>
array(0) {
}
["categories_under_1"]=>
array(0) {
}
["deep_categories_under_1"]=>
array(0) {
}
["categories_under_177"]=>
array(0) {
}
["deep_categories_under_177"]=>
array(0) {
}
["categories_under_209"]=>
array(0) {
}
["deep_categories_under_209"]=>
array(0) {
}
["categories_under_163"]=>
array(0) {
}
["deep_categories_under_163"]=>
array(0) {
}
["categories_under_171"]=>
array(0) {
}
["deep_categories_under_171"]=>
array(0) {
}
["categories_under_153"]=>
array(0) {
}
["deep_categories_under_153"]=>
array(0) {
}
["categories_under_242"]=>
array(0) {
}
["deep_categories_under_242"]=>
array(0) {
}
["categories_under_564"]=>
array(0) {
}
["deep_categories_under_564"]=>
array(0) {
}
["categories_under_1182"]=>
array(0) {
}
["deep_categories_under_1182"]=>
array(11) {
[0]=>
int(1477)
[1]=>
int(669)
[2]=>
int(246)
[3]=>
int(317)
[4]=>
int(359)
[5]=>
int(368)
[6]=>
int(987)
[7]=>
int(978)
[8]=>
int(984)
[9]=>
int(979)
[10]=>
int(985)
}
["freetags"]=>
array(0) {
}
["geo_located"]=>
string(1) "n"
["user_groups"]=>
array(8) {
[0]=>
string(27) "Organization Representative"
[1]=>
string(20) "Event Representative"
[2]=>
string(22) "Product Representative"
[3]=>
string(17) "CL Correspondents"
[4]=>
string(18) "Account Executives"
[5]=>
string(6) "Admins"
[6]=>
string(7) "Artists"
[7]=>
string(12) "Wiki Editors"
}
["user_followers"]=>
array(2) {
[0]=>
string(5) "jonny"
[1]=>
string(14) "thevinylwarhol"
}
["like_list"]=>
array(0) {
}
["allowed_groups"]=>
array(14) {
[0]=>
string(6) "Admins"
[1]=>
string(18) "Account Executives"
[2]=>
string(9) "Anonymous"
[3]=>
string(7) "Artists"
[4]=>
string(19) "Band Representative"
[5]=>
string(17) "CL Correspondents"
[6]=>
string(10) "CL Critics"
[7]=>
string(10) "CL Editors"
[8]=>
string(20) "Event Representative"
[9]=>
string(26) "Organization Rep (Trusted)"
[10]=>
string(27) "Organization Representative"
[11]=>
string(22) "Product Representative"
[12]=>
string(10) "Registered"
[13]=>
string(12) "Wiki Editors"
}
["allowed_users"]=>
array(0) {
}
["relations"]=>
array(0) {
}
["relation_objects"]=>
array(0) {
}
["relation_types"]=>
array(0) {
}
["relation_count"]=>
array(0) {
}
["title_initial"]=>
string(1) "B"
["title_firstword"]=>
string(4) "Best"
["searchable"]=>
string(1) "y"
["url"]=>
string(10) "item134738"
["object_type"]=>
string(11) "trackeritem"
["object_id"]=>
string(6) "134738"
["contents"]=>
string(844) " It hasn’t always been easy for the ATLANTA PHOTOGRAPHY GROUP GALLERY, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers. In an art scene that often seemed oblivious to world events, two exhibitions reminded Atlantans of the despair beyond American borders. Unembedded: Independent Photojournalism in Iraq featured the work of independent photojournalists in Iraq, while the genocide in Democratic Republic of the Congo: Forgotten War highlighted the world-class talents of such humanist photojournalists as James Nachtwey. 13036738 1392550 Best Timely Art Best Art Exhibit Atlanta Photography Group Gallery 2017-08-31T15:43:03+00:00 Best Timely Art "
["score"]=>
float(0)
["_index"]=>
string(35) "atlantawiki_tiki_main_628dc5e1a8f38"
["photo"]=>
string(125) "
"
["boaCategory"]=>
string(62) "Type of Award::Poets, Artists & Madmen
Picked By::Critics"
["desc"]=>
string(744) "It hasn’t always been easy for the ATLANTA PHOTOGRAPHY GROUP GALLERY, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers. In an art scene that often seemed oblivious to world events, two exhibitions reminded Atlantans of the despair beyond American borders. Unembedded: Independent Photojournalism in Iraq featured the work of independent photojournalists in Iraq, while the genocide in Democratic Republic of the Congo: Forgotten War highlighted the world-class talents of such humanist photojournalists as James Nachtwey."
}
Best Timely Art BOA Award Winner
Year » 2007
Section » Print Features » Special Issue » Best of Atlanta » 2007 » Poets, Artists, & Madmen » Critics Pick
Atlanta Photography Group Gallery Section » Print Features » Special Issue » Best of Atlanta » 2007 » Poets, Artists, & Madmen » Critics Pick
It hasn’t always been easy for the ATLANTA PHOTOGRAPHY GROUP GALLERY, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers.more...
It hasn’t always been easy for the ATLANTA PHOTOGRAPHY GROUP GALLERY, tucked away inside an obscure downstairs nook of the Tula art complex. But the space really distinguished itself this year by breaking out of its usual roster of juried art shows and exhibitions featuring regional photographers. In an art scene that often seemed oblivious to world events, two exhibitions reminded Atlantans of the despair beyond American borders. Unembedded: Independent Photojournalism in Iraq featured the work of independent photojournalists in Iraq, while the genocide in Democratic Republic of the Congo: Forgotten War highlighted the world-class talents of such humanist photojournalists as James Nachtwey.
less...
array(79) {
["title"]=>
string(15) "Best Timely Art"
["modification_date"]=>
string(25) "2021-04-08T03:46:47+00:00"
["creation_date"]=>
string(25) "2021-04-06T02:18:47+00:00"
["contributors"]=>
array(1) {
[0]=>
string(9) "ben.eason"
}
["date"]=>
string(25) "2021-04-06T02:18:47+00:00"
["tracker_status"]=>
string(1) "o"
["tracker_id"]=>
string(1) "5"
["view_permission"]=>
string(13) "view_trackers"
["parent_object_id"]=>
string(1) "5"
["parent_object_type"]=>
string(7) "tracker"
["field_permissions"]=>
string(2) "[]"
["tracker_field_boaBASEID"]=>
string(8) "13027844"
["tracker_field_boaLegacyID"]=>
string(7) "1274582"
["tracker_field_boaTitle"]=>
string(15) "Best Timely Art"
["tracker_field_boaWinnersAward"]=>
string(6) "414672"
["tracker_field_boaWinnersAward_text"]=>
string(16) "Best Art Exhibit"
["tracker_field_boaAwardRecipient"]=>
string(33) "Atlanta Photography Group Gallery"
["tracker_field_boaAwardRecipient_raw"]=>
string(33) "Atlanta Photography Group Gallery"
["tracker_field_boaOrganization"]=>
string(1) "0"
["tracker_field_boaRelation_multi"]=>
array(1) {
[0]=>
string(0) ""
}
["tracker_field_description"]=>
string(86) "TULA Art Center 75 Bennett St., Suite B-1 404-605-0605 http://www.apgphoto.org It hasn"
["tracker_field_description_raw"]=>
string(88) "TULA Art Center 75 Bennett St., Suite B-1 404-605-0605 [http://www.apgphoto.org] It hasn"
["tracker_field_photos_names"]=>
array(0) {
}
["tracker_field_photos_filenames"]=>
array(0) {
}
["tracker_field_photos_filetypes"]=>
array(0) {
}
["tracker_field_boaWinnersAwardCategory"]=>
array(0) {
}
["tracker_field_boaCategory"]=>
array(1) {
[0]=>
string(3) "368"
}
["tracker_field_boaCategory_text"]=>
string(3) "368"
["tracker_field_boaCategory_names"]=>
string(12) "Critics Pick"
["tracker_field_boaCategory_paths"]=>
string(101) "Section::Print Features::Special Issue::Best of Atlanta::2007::Poets, Artists, & Madmen::Critics Pick"
["tracker_field_boaWinnersAwardYear"]=>
int(2007)
["language"]=>
string(7) "unknown"
["attachments"]=>
array(0) {
}
["comment_count"]=>
int(0)
["categories"]=>
array(2) {
[0]=>
int(368)
[1]=>
int(246)
}
["deep_categories"]=>
array(7) {
[0]=>
int(1182)
[1]=>
int(1477)
[2]=>
int(669)
[3]=>
int(246)
[4]=>
int(317)
[5]=>
int(359)
[6]=>
int(368)
}
["categories_under_28"]=>
array(0) {
}
["deep_categories_under_28"]=>
array(0) {
}
["categories_under_1"]=>
array(0) {
}
["deep_categories_under_1"]=>
array(0) {
}
["categories_under_177"]=>
array(0) {
}
["deep_categories_under_177"]=>
array(0) {
}
["categories_under_209"]=>
array(0) {
}
["deep_categories_under_209"]=>
array(0) {
}
["categories_under_163"]=>
array(0) {
}
["deep_categories_under_163"]=>
array(0) {
}
["categories_under_171"]=>
array(0) {
}
["deep_categories_under_171"]=>
array(0) {
}
["categories_under_153"]=>
array(0) {
}
["deep_categories_under_153"]=>
array(0) {
}
["categories_under_242"]=>
array(0) {
}
["deep_categories_under_242"]=>
array(0) {
}
["categories_under_564"]=>
array(0) {
}
["deep_categories_under_564"]=>
array(0) {
}
["categories_under_1182"]=>
array(0) {
}
["deep_categories_under_1182"]=>
array(6) {
[0]=>
int(1477)
[1]=>
int(669)
[2]=>
int(246)
[3]=>
int(317)
[4]=>
int(359)
[5]=>
int(368)
}
["freetags"]=>
array(0) {
}
["geo_located"]=>
string(1) "n"
["user_groups"]=>
array(8) {
[0]=>
string(27) "Organization Representative"
[1]=>
string(20) "Event Representative"
[2]=>
string(22) "Product Representative"
[3]=>
string(17) "CL Correspondents"
[4]=>
string(18) "Account Executives"
[5]=>
string(6) "Admins"
[6]=>
string(7) "Artists"
[7]=>
string(12) "Wiki Editors"
}
["user_followers"]=>
array(2) {
[0]=>
string(5) "jonny"
[1]=>
string(14) "thevinylwarhol"
}
["like_list"]=>
array(0) {
}
["allowed_groups"]=>
array(14) {
[0]=>
string(6) "Admins"
[1]=>
string(18) "Account Executives"
[2]=>
string(9) "Anonymous"
[3]=>
string(7) "Artists"
[4]=>
string(19) "Band Representative"
[5]=>
string(17) "CL Correspondents"
[6]=>
string(10) "CL Critics"
[7]=>
string(10) "CL Editors"
[8]=>
string(20) "Event Representative"
[9]=>
string(26) "Organization Rep (Trusted)"
[10]=>
string(27) "Organization Representative"
[11]=>
string(22) "Product Representative"
[12]=>
string(10) "Registered"
[13]=>
string(12) "Wiki Editors"
}
["allowed_users"]=>
array(0) {
}
["relations"]=>
array(0) {
}
["relation_objects"]=>
array(0) {
}
["relation_types"]=>
array(0) {
}
["relation_count"]=>
array(0) {
}
["title_initial"]=>
string(1) "B"
["title_firstword"]=>
string(4) "Best"
["searchable"]=>
string(1) "y"
["url"]=>
string(10) "item485675"
["object_type"]=>
string(11) "trackeritem"
["object_id"]=>
string(6) "485675"
["contents"]=>
string(221) " TULA Art Center 75 Bennett St., Suite B-1 404-605-0605 http://www.apgphoto.org It hasn 13027844 1274582 Best Timely Art Best Art Exhibit Atlanta Photography Group Gallery 2021-04-06T02:18:47+00:00 Best Timely Art "
["score"]=>
float(0)
["_index"]=>
string(35) "atlantawiki_tiki_main_628dc5e1a8f38"
["photo"]=>
string(125) "
"
["boaCategory"]=>
string(0) ""
["desc"]=>
string(177) "TULA Art Center 75 Bennett St., Suite B-1 404-605-0605 http://www.apgphoto.org It hasn"
}
Best Timely Art BOA Award Winner
Year » 2007
Section » Print Features » Special Issue » Best of Atlanta » 2007 » Poets, Artists, & Madmen » Critics Pick
Atlanta Photography Group Gallery Section » Print Features » Special Issue » Best of Atlanta » 2007 » Poets, Artists, & Madmen » Critics Pick
TULA Art Center 75 Bennett St., Suite B-1 404-605-0605 http://www.apgphoto.org It hasn
Browse Winners by Category
After Dark
Cityscape
Consumer Culture
Index
Oral Pleasures
Poets, Artists & Madmen