Atlanta Comedy
Photo credit: CL Archive Photo Joeff Davis
Comedy Events
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Comedy Clubs and Venues
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Funny Farm Comedy Club (permanently closed) Comedy Club
After eight years intown, the Funny Farm comedy club moved into the Andretti Karting facility in Roswell — because if anyone needs a good laugh, it's OTP-ers.
|
more...
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Saturday: 6:00 PM – 12:00 AM
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Village Theatre Comedy Club, Performing Arts Theater
Since 2008, this hole-in-the-wall comedy venue has hosted improv comedy multiple nights a week as well as stand-up and sketch comedy.
|
more...
CL Comedy Archives
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“Forget about the crowd, let’s just try to make each other laugh.”
Those were the words he said to me as we waited to be called to the stage at Whole World Improv Theater. We were about to begin the second half of a show in front of a sold out crowd of super sober, stunningly silent and staring accountants. To say that the crowd was NOT impressed with our improv comedy so far would be a vast understatement. Each second beneath the spotlight felt like a month. Throwing a joke into that crowd was like dropping a rock into an empty well and never hearing a splash. But Carlos Giron was among the best we had. A talent like no other. And while we may not win the night, we could at least have some fun with each other. So that’s what we did. We entered the scene with the sole intent of making the other person break character and fall into a rage of laughter.
Carlos won. He got me with his Hunchback of Notre Dame character.
His body all coiled up, his face twisted into an ungodly shape staring directly into mine, and his voice sounding like he had swallowed a tiny, speeding Yamaha crotch-rocket motorcycle - with a wail that was as high as it was low. I tried to hold it in, but the laughter burst from my belly like a geyser. Joke was on Carlos though, because he got a facefull of that weird spittle that happens when you try to hold in a laugh and it finally explodes from your pinched lips.
And the crowd went wild. Carlos broke me, and and he took the crowd down too. A master.
Carlos Giron passed away unexpectedly over the weekend.
The memory of that moment, and many many more like it is something that I’ll carry with me forever. Carlos was an improvisational wizard. His Joe Pesci impression was better than Joe Pesci himself. He was a MONSTER with movie trivia. Do a YouTube search of “Carlos Giron, Who Wants to Be A Millionaire” and you’ll see. You’ll also see Meredith Viera do what everyone did when they met Carlos- fall in love with him. Carlos hated strawberries. He loved puns. He was humble, and would hate that I’m writing this. He was the son of immigrants and he loved his family entirely. He was self deprecating. Put simply, Carlos made this world a better place.
And if you happened to catch a show at Whole World Theater over the past 8 years or so, you probably saw him. And he probably made you laugh until your cheeks hurt. And he probably made you spit out your wine when you thought it was safe to take a sip. And you probably had a the chance to meet him in the lobby after the show, because he loved to meet the people he shared his gift with. And you probably gushed and said how funny he was, and he probably got embarrassed and humble and quiet. And you probably did what Meredith Viera, and myself, and a million other people have done in the presence of such a presence.
You probably fell in love with him.
Carlos' family asks that in lieu of flowers, donations be made to Whole World Improv Theatre in his name.
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A tribute to comic Carlos Giron, 1975-2018 Article
Wednesday March 28, 2018 11:02 AM EDT
Carlos Giron, an improvisational comedian, is fondly remembered for his joyous spirit and ability to have the room broken in laughter
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Switching things up and little bit this Spring, the DIY stand-up firecracker known as WonderComedy is temporarily moving to the fourth Friday of the month. Along with a new date, the venue will host some very exciting new faces to our cozy Cabbagetown hang. Los Angeles comedians Dave Ross (“Drunk History”) and Chris Charpentier (“Jimmy Kimmel Live”) are co-headline the next late night bash. Ross was previously a two-time WonderComedy headliner and is part of an excellent pairing the third time around with the boisterous Charpentier, who’s energy and good-natured demeanor is downright infectious. To top it all off, one of the co-creators and stars of the TruTV show “Those Who Can’t”, Adam Cayton-Holland, will also be stopping by for a set you can’t miss. So just don’t, ok?
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SEE & DO: Bill Burr with special guest Nate Bargatze Article
Friday April 27, 2018 05:00 AM EDT
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SEE & DO: Gary Gulman Article
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The nationally touring comedian stops by ATL May 17-19
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string(1175) " Byron Bowers 02 MJ 2018-06-08T13:20:17+00:00 byron-bowers-02_MJ.jpg You have six chances (June 7-10) to check out one of Atlanta’s finest, don’t screw this up. Byron Bowers 02 MJ 2018-06-07T17:31:43+00:00 SEE & DO: Byron Bowers laureneleathers Lauren Leathers Olivia Cathcart 2018-06-07T17:31:43+00:00 As the comedy capital of the South, Atlanta has produced a high volume of stellar stand-up comedians. Byron Bowers currently lives in the South Side of Chicago on Showtime’s “The CHI,” but he’s a native Georgian. The comedian appeared on the Atlanta episode of Viceland’s “Flophouse,” “Jimmy Kimmel Live,” “Adam Devine’s House Party,” and “The Eric Andrew Show.”Bowers was recently cast in his first dramatic film role but before hits the set, he’ll return home to headline a weekend at The Punchline. You have six chances to check out one of Atlanta’s finest, don’t screw this up.
$20-$25. Thurs., June 7-Sun., June 10. The Punchline. 3652 Roswell Road. www.punchline.com. Mandee Johnson MEAN MUGGIN': Byron Bowers comes to Atlanta June 7-10 at the Punchline. SEE & DO: Byron Bowers "
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SEE & DO: Byron Bowers Article
Thursday June 7, 2018 01:31 PM EDT
You have six chances (June 7-10) to check out one of Atlanta’s finest, don’t screw this up.
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$55-$150. 7 p.m. and 10 p.m., Sat. June 23, Fox Theatre, 660 Peachtree St.. N.E. www.foxtheatre.org. 404-881-2100. Courtesy of Fox Theatre GUYS GOT JOKES: Catch four comedy legends at the Fox Theatre on June 23. Roll out the red carpet for comedic royalty "
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Roll out the red carpet for comedic royalty Article
Friday June 22, 2018 07:56 PM EDT
Meet the crew that’s taking over the Fox Theatre on June 23.
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string(5702) "Fun fact! Comedian, actor, writer, and director David Cross is a true-school ATLien … Or at least he spent his formative years in Atlanta, before embarking on a career in television and films. His screen time has been punctuated by career highs writing and acting on HBO’s sketch comedy show “Mr. Show with Bob and David,” playing the role of Tobias Fünke on “Arrested Development,” and most recently as Cassius's Green’s white voice in Boots Riley’s Orwellian comedy film, Sorry to Bother You.
Cross is on the road again, making stand up appearances across North America as part of 2018’s Oh Come On Tour. On Sat., Aug. 11, he makes a stop at Atlanta Symphony Hall. Before coming to town, Cross took a few minutes to talk about his years growing up in Atlanta years, punk rock, and the ins and outs of how his stand up sets come together.
Tell me about your history in Atlanta.
Let’s see, I was born at Piedmont hospital, and I spent the first year of my life in Atlanta. Then I lived in several places in Florida, Connecticut, New York, then moved back to Roswell when I was nine years old. I lived there until I was 19. I went to Crestwood High School, moved a little closer into the city — Howell Mill and Moore’s Mill area — and I went to Northside School of Performing Arts from 10th Grade on.
I always look forward to coming back to Atlanta. Most of my family is there. I make it back about four or five times a year. On this particular leg of the tour I’ll have a bit of a break before flying out to the West Coast. I have a kid now, so she’ll get to see her grandma and her aunts and all of that, so that’s all good.
No more late nights at the Clermont Lounge, then?
Thanksgiving is my big family holiday, and when my wife and I first started dating, the first time we came to Atlanta, I took her to the Clermont Lounge and she fell in love. She met Blondie and they hit it off. The Clermont just became her place.
Were you into the local music scene when you lived here?
The guy I would probably say was my best friend when I was growing up was in a prog-rocky kind of band called Major Haze. I would go see their shows; sometimes they would play at Georgia Tech and we would go and steal beer. In 10th grade, there was a massive shift in my life. I was working at the Tower Place 6 movie theatre, and a co-worker introduced me to punk, new wave, and stuff that I’d never heard before. It completely shifted my life; I devoured everything I could get my hands on. He made mixtapes for me that had the Dead Kennedys, X, Gang of Four. Then I started going to the 688, the Bistro, and various places to see bands. The first place where I ever got paid for a show was at the Nitery Club on Ponce de Leon Ave. It was a kind of gay, campy, punk club run by this local impresario named Tom Zarrilli.
Then I did a few shows at the 688 opening for bands. That was always really cool.
How did your time around that music scene influence your approach to comedy?
In the same way that punk is a reaction to what we now consider classic rock, AM rock, California Gold, yacht rock, or whatever the fuck you want to call it. … Punk was a direct response to that and disco, and it has always had an attitude. There are some similarities — my stand up is slightly confrontational, a little snotty, a little condescending — I’ve definitely heard that before. It’s a part of my personality, and in that way it’s analogous. I don’t know that it had a direct influence, but subconsciously, sure. I’m sure the way that seeing those bands made me feel — the relief and the catharsis — there’s definitely something there.
You mention the confrontational or condescending aspects to your stand up. In 2018, much of the big picture dialogue playing out in the media suffers from an indirect or a nicey-nice way of dancing around confrontational subjects.
It’s less about nicey-nice and more of about false equivalencies. The media bends over backwards to prove they’re not biased, but that’s just foolish. Often times, the other side is spouting a bunch of blatant, mendacious lies, and the media is being played. That goes for everything from local media to The Washington Post and The New York Times. There’s certain language they won’t use, and they’re completely cowed by the right-wing media, which is the mainstream media. They don’t play fair, but nobody ever said you had to. There is no such thing as playing fair, and they’re pussies about it.
So does this make you feel a sense of responsibility as a comic?
My responsibility as a comic is to make people laugh. It starts and ends there. If I can do that, be true to myself, and talk about something that’s important to me, that’s a bonus. I am a comedian, that’s what I’m interested in … That and making sure that if I do go into some kind of rant that it at least has a context to the piece I’m doing, and there’s a laugh in there. A lot of people have a misconception that I am a political comic. But I am not a political comic. I talk about politics, but I follow a certain kind of recipe: Roughly a third of my set is just jokes — dumb jokes. It doesn’t matter what your politics are, anybody can get it; jokey-joke jokes. Roughly a third of it is anecdotal, telling stories about a thing that happened to me. And roughly a third is political — at this point, obviously about Trump and his fans. … Oh, and I’ll dip into a little religious stuff. I always like doing that.
David Cross performs live at Atlanta Symphony Hall on Sat., Aug. 11. $39-$40. 8 p.m. 1280 Peachtree St. 404-733-5000. www.atlantasymphony.org."
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Cross is on the road again, making stand up appearances across North America as part of 2018’s Oh Come On Tour. On Sat., __Aug. 11__, he makes a stop at Atlanta Symphony Hall. Before coming to town, Cross took a few minutes to talk about his years growing up in Atlanta years, punk rock, and the ins and outs of how his stand up sets come together.
~~#000000:__Tell me about your history in Atlanta.__~~
Let’s see, I was born at Piedmont hospital, and I spent the first year of my life in Atlanta. Then I lived in several places in Florida, Connecticut, New York, then moved back to Roswell when I was nine years old. I lived there until I was 19. I went to Crestwood High School, moved a little closer into the city — Howell Mill and Moore’s Mill area — and I went to Northside School of Performing Arts from 10th Grade on.
I always look forward to coming back to Atlanta. Most of my family is there. I make it back about four or five times a year. On this particular leg of the tour I’ll have a bit of a break before flying out to the West Coast. I have a kid now, so she’ll get to see her grandma and her aunts and all of that, so that’s all good.
~~#000000:__No more late nights at the Clermont Lounge, then?__~~
Thanksgiving is my big family holiday, and when my wife and I first started dating, the first time we came to Atlanta, I took her to the Clermont Lounge and she fell in love. She met Blondie and they hit it off. The Clermont just became her place.
~~#000000:__Were you into the local music scene when you lived here?__~~
The guy I would probably say was my best friend when I was growing up was in a prog-rocky kind of band called Major Haze. I would go see their shows; sometimes they would play at Georgia Tech and we would go and steal beer. In 10th grade, there was a massive shift in my life. I was working at the Tower Place 6 movie theatre, and a co-worker introduced me to punk, new wave, and stuff that I’d never heard before. It completely shifted my life; I devoured everything I could get my hands on. He made mixtapes for me that had the Dead Kennedys, X, Gang of Four. Then I started going to the 688, the Bistro, and various places to see bands. The first place where I ever got paid for a show was at the Nitery Club on Ponce de Leon Ave. It was a kind of gay, campy, punk club run by this local impresario named Tom Zarrilli.
Then I did a few shows at the 688 opening for bands. That was always really cool.
~~#000000:__How did your time around that music scene influence your approach to comedy?__~~
In the same way that punk is a reaction to what we now consider classic rock, AM rock, California Gold, yacht rock, or whatever the fuck you want to call it. … Punk was a direct response to that and disco, and it has always had an attitude. There are some similarities — my stand up is slightly confrontational, a little snotty, a little condescending — I’ve definitely heard that before. It’s a part of my personality, and in that way it’s analogous. I don’t know that it had a direct influence, but subconsciously, sure. I’m sure the way that seeing those bands made me feel — the relief and the catharsis — there’s definitely something there.
~~#000000:__You mention the confrontational or condescending aspects to your stand up. In 2018, much of the big picture dialogue playing out in the media suffers from an indirect or a nicey-nice way of dancing around confrontational subjects.__~~
It’s less about nicey-nice and more of about false equivalencies. The media bends over backwards to prove they’re not biased, but that’s just foolish. Often times, the ''other'' side is spouting a bunch of blatant, mendacious lies, and the media is being played. That goes for everything from local media to ''The Washington Post'' and ''The New York Times''. There’s certain language they won’t use, and they’re completely cowed by the right-wing media, which ''is'' the mainstream media. They don’t play fair, but nobody ever said you had to. There is no such thing as playing fair, and they’re pussies about it.
~~#000000:__So does this make you feel a sense of responsibility as a comic?__~~
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string(6394) " David Cross Color 2 Photo Credit Daniel Bergeron 2018-08-10T19:07:14+00:00 David Cross - Color 2 - Photo Credit Daniel Bergeron.jpg I love being mentioned as an impresario, I'm delighted he remembers the Nitery Club. The comic and ATL original returns to his former stomping grounds with his Oh Come On Tour David Cross Color 2 Photo Credit Daniel Bergeron 2018-08-10T03:59:00+00:00 A conversation with David Cross chad.radford Chad Radford Chad Radford chad.radford (Chad Radford) 2018-08-10T03:59:00+00:00 Fun fact! Comedian, actor, writer, and director David Cross is a true-school ATLien … Or at least he spent his formative years in Atlanta, before embarking on a career in television and films. His screen time has been punctuated by career highs writing and acting on HBO’s sketch comedy show “Mr. Show with Bob and David,” playing the role of Tobias Fünke on “Arrested Development,” and most recently as Cassius's Green’s white voice in Boots Riley’s Orwellian comedy film, Sorry to Bother You.
Cross is on the road again, making stand up appearances across North America as part of 2018’s Oh Come On Tour. On Sat., Aug. 11, he makes a stop at Atlanta Symphony Hall. Before coming to town, Cross took a few minutes to talk about his years growing up in Atlanta years, punk rock, and the ins and outs of how his stand up sets come together.
Tell me about your history in Atlanta.
Let’s see, I was born at Piedmont hospital, and I spent the first year of my life in Atlanta. Then I lived in several places in Florida, Connecticut, New York, then moved back to Roswell when I was nine years old. I lived there until I was 19. I went to Crestwood High School, moved a little closer into the city — Howell Mill and Moore’s Mill area — and I went to Northside School of Performing Arts from 10th Grade on.
I always look forward to coming back to Atlanta. Most of my family is there. I make it back about four or five times a year. On this particular leg of the tour I’ll have a bit of a break before flying out to the West Coast. I have a kid now, so she’ll get to see her grandma and her aunts and all of that, so that’s all good.
No more late nights at the Clermont Lounge, then?
Thanksgiving is my big family holiday, and when my wife and I first started dating, the first time we came to Atlanta, I took her to the Clermont Lounge and she fell in love. She met Blondie and they hit it off. The Clermont just became her place.
Were you into the local music scene when you lived here?
The guy I would probably say was my best friend when I was growing up was in a prog-rocky kind of band called Major Haze. I would go see their shows; sometimes they would play at Georgia Tech and we would go and steal beer. In 10th grade, there was a massive shift in my life. I was working at the Tower Place 6 movie theatre, and a co-worker introduced me to punk, new wave, and stuff that I’d never heard before. It completely shifted my life; I devoured everything I could get my hands on. He made mixtapes for me that had the Dead Kennedys, X, Gang of Four. Then I started going to the 688, the Bistro, and various places to see bands. The first place where I ever got paid for a show was at the Nitery Club on Ponce de Leon Ave. It was a kind of gay, campy, punk club run by this local impresario named Tom Zarrilli.
Then I did a few shows at the 688 opening for bands. That was always really cool.
How did your time around that music scene influence your approach to comedy?
In the same way that punk is a reaction to what we now consider classic rock, AM rock, California Gold, yacht rock, or whatever the fuck you want to call it. … Punk was a direct response to that and disco, and it has always had an attitude. There are some similarities — my stand up is slightly confrontational, a little snotty, a little condescending — I’ve definitely heard that before. It’s a part of my personality, and in that way it’s analogous. I don’t know that it had a direct influence, but subconsciously, sure. I’m sure the way that seeing those bands made me feel — the relief and the catharsis — there’s definitely something there.
You mention the confrontational or condescending aspects to your stand up. In 2018, much of the big picture dialogue playing out in the media suffers from an indirect or a nicey-nice way of dancing around confrontational subjects.
It’s less about nicey-nice and more of about false equivalencies. The media bends over backwards to prove they’re not biased, but that’s just foolish. Often times, the other side is spouting a bunch of blatant, mendacious lies, and the media is being played. That goes for everything from local media to The Washington Post and The New York Times. There’s certain language they won’t use, and they’re completely cowed by the right-wing media, which is the mainstream media. They don’t play fair, but nobody ever said you had to. There is no such thing as playing fair, and they’re pussies about it.
So does this make you feel a sense of responsibility as a comic?
My responsibility as a comic is to make people laugh. It starts and ends there. If I can do that, be true to myself, and talk about something that’s important to me, that’s a bonus. I am a comedian, that’s what I’m interested in … That and making sure that if I do go into some kind of rant that it at least has a context to the piece I’m doing, and there’s a laugh in there. A lot of people have a misconception that I am a political comic. But I am not a political comic. I talk about politics, but I follow a certain kind of recipe: Roughly a third of my set is just jokes — dumb jokes. It doesn’t matter what your politics are, anybody can get it; jokey-joke jokes. Roughly a third of it is anecdotal, telling stories about a thing that happened to me. And roughly a third is political — at this point, obviously about Trump and his fans. … Oh, and I’ll dip into a little religious stuff. I always like doing that.
David Cross performs live at Atlanta Symphony Hall on Sat., Aug. 11. $39-$40. 8 p.m. 1280 Peachtree St. 404-733-5000. www.atlantasymphony.org. Daniel Bergeron FUNNY MAN: Comedian David Cross performs at Atlanta Symphony Hall Sat., Aug. 11. A conversation with David Cross "
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A conversation with David Cross Article
Thursday August 9, 2018 11:59 PM EDT
The comic and ATL original returns to his former stomping grounds with his Oh Come On Tour
|
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SEE & DO: Kathy Griffin Article
Tuesday September 18, 2018 01:28 PM EDT
The edgy comic stops by ATL on her ‘Laugh Your Head Off’ world-wide tour
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SEE & DO: Beth Stelling Article
Thursday December 6, 2018 09:51 AM EST
A product of the Chicago stand-up scene, Beth Stelling seems destined for greatness. Her second album, “Simply the Beth,” and Comedy Central half hour special were lauded by Splitsider and The Interrobang as one of the best for 2015. Since then, Stelling has been regaling audiences with her Midwestern charm and wit on Netflix’s “The Stand-Ups,” “Conan,” “Jimmy Kimmel Live,” as well as writing... |
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CANCELED- SEE & DO: Adam Conover Article
Saturday December 8, 2018 10:24 AM EST
Everyone’s favorite know-it-all swings by Center Stage on December 14
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Thomas Middleditch and Ben Shwartz Create and Collaborate Article
Thursday January 10, 2019 11:46 AM EST
The two improvisers bring wit and hilarity to the Tabernacle
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string(9564) "The Move is a column intended to help you beat the fight against basic, one move at a time. Look here for all the best underground, and some above ground, events in ATL. Bc you CAN have a balanced diet of disco and yoga. Warning of side effects: Overdose of culture and queerdom. Bloated bank account from lack of overpriced ticket purchase. Confusion meeting clarity via mind, body and soul. Consume at your own risk.
Shameless copy/paste plug OTMonth: Psst… Xtra! Xtra! Weed all about it! Shameless plug for the latest episode of, “Friends in High Places.” Listen along as I interview the likes of those mapping out the cannabis industry for Georgians, bc it’s not coming, it’s here. For more updates: @CallMeMissConception @CreativeLoafingAtlanta
!!!SATURDAY, NOVEMBER 2
”Girls That Go Bump in the Night,” Naked Girls Reading — I’m attracted to nudity, love a good topless beach, and wish, almost daily, that I could ride my bike topless with zero fux given by anyone in sight. I’m that person who replaces female nipples on the internet with those of a man to prove a nipple is just a nipple. Naturally, when I see an event with the word “naked,” I’m intrigued. No, I am not a pervert, I just don’t like being told what to do with my body, period!
“Naked Girls Reading” first started in Chicago “in March of 2009 as an idea of two international showgirls, Michelle L’amour and Franky Vivid. It is a group of beautiful ladies who love to read … naked. That’s really it. There’s not a whole lot more to it.” I have so many questions, but I guess I’ll just have to attend to find out. BTW, this Atlanta show celebrates All Souls Day with ghost and horror stories. $20. 8:30 p.m. (doors). Metropolitan Studios, 1259 Metropolitan Ave. S.E. 404-219-2003.
!!!THURSDAY, NOVEMBER 7–SUNDAY, NOVEMBER 10
Josephine, a burlesque cabaret dream play — Fringe Fest Atlanta is in its sixth year with 543 curtain calls and counting. This year’s standout performance is one that has already sold out shows across the U.S. Josephine portrays the celebrity life of Josephine Baker, an American ex-pat who moved to France in the 1920s and found success in film as a black woman. “(Baker) starred alongside white romantic leading men in films in the ’30s, had multiple interracial marriages and homosexual relationships, and performed in men’s clothing before the term ‘drag’ existed in the lexicon.”
On playing the lead role, performer Tymisha Harris says, "I believe the time is long overdue for strong women of color to have their voices heard and their stories told. Playing Josephine Baker for the last three years has made me a better performer and human. To be able to share this story that touches hearts and minds across the world has been the most fulfilling artistic endeavor of my life."
Atlanta Fringe Festival takes place over several days in venues across the city. You have four opportunities to catch “a burlesque cabaret dream play” at the Southwest Arts Center. Though it was established in 2001, I’m just learning of the Center now myself. It was the first Fulton County spot created for the sole purpose of inspiring and housing the arts. It is also MARTA-friendly. Take the train to the West End and hop a short bus. Have you been on a MARTA bus lately? They are clean, virtually empty, and it’s legal to text and ride. $25. 8 p.m. Nov. 7-9. 2 p.m. Sun., Nov. 10. Southwest Arts Center, 915 New Hope Road S.W. 404-613-3220.
!!!SATURDAY, NOVEMBER 9
Condom Couture — When it comes to philanthropic creativity, this event fits like a condom. Yes, you read it right and no, it’s not a dirty word. Condom Couture Atlanta is shredding sexual taboos, raising money for Planned Parenthood, and supporting local artists with their upcoming fashion runway show at the Westside Cultural Center.
“We're doing this to raise awareness and funds for reproductive health care services, advocacy, and education in Georgia. For men, women, and families; all inclusive of cultures, genders and identities.” — Condom Couture Atlanta.
Local designers will create fashion lewks from condoms. They prefer to work with non-lubed condoms for garments, I’m told. $50-$300. 8 p.m.-10 p.m. Westside Cultural Arts Center, 760 10th St. 404-594-6412.
The Original Mannequin Project 2019 — Four years ago, Atlantan Grayton Pinkston was born — and quickly diagnosed with cystic fibrosis. Almost immediately, a group of his family and friends formed Grayton’s Guardians to raise money for cystic fibrosis research. To date, they have participated in numerous walks and adventures around the country in Grayton’s name. Just last month, members of Grayton’s Guardians hiked from the south ridge of the Grand Canyon to the north ridge to raise awareness and funding for cystic fibrosis research.
The upcoming Atlanta event, however, is a little different. Thrown in true Melrose & McQueen fashion, this is a party. There will be free beer, prizes, and antics at the Basement in EAV for the eighth year of The Mannequin Project, Melrose & McQueen’s annual charitable event. Each year, a different cause is chosen. I asked Grayton’s uncle, Mike Dean, about the connection between Grayton’s Guardians and the hair salon, and it’s quite a charming story.
“Our family’s story with Melrose and McQueen started seven years ago at Inman Park Fest. I dropped by because they were having a party, and the next thing I knew, I was getting my hair cut there each month. Sometimes I even dropped in with my dog, Buckley, who the staff adored. Slowly, each family member started going to Melrose. My wife Natalie, my sister, my brother in law, my mom, and my dad. Kristo and his team have always felt like an extended family. Once Grayton needed his first haircut he naturally was going to go where the rest of the family goes. Grayton's now goes to Melrose for his haircuts. Kristo, Amber, Laura, Kenny, and team usually stop by to say hey, and they talk about Grayton’s favorite subject: monster trucks. Next time you drop by the shop, take a look behind the bar and you’ll see pictures of Grayton and Buckley back there.
“We’re honored to have Grayton’s Guardians partner up with the Mannequin Project,” Dean continues, “because it’s different than other charity events. We love that it supports one of our favorite local businesses along with local artists in the community. We hope to see you there.” $10. 6 p.m.-10 p.m. 21+. The Basement, 1245 Glenwood Ave. S.E. 404-622-8686.
!!!WEDNESDAY, NOVEMBER 13
Mommie Dearest at The Plaza Theatre — This month’s installment of Wussy programming at the Plaza Theatre is the usual camp cult genre, with Faye Dunaway starring in Mommie Dearest. According to her fellow cast members, Dunaway was more difficult and terrifying than the role of Joan Crawford she was playing. I can’t imagine anyone over the age of 30 who hasn’t seen this film, but you’ll want to clear your closet of wire hangers before you return home. $15. 7 p.m.-10 p.m. The Plaza Theater, 1049 Ponce De Leon Ave. N.E. 470-225-6503.
!!!FRIDAY, NOVEMBER 15
Wahine’s Hideaway Vol. 1 — DJ Wahine is back, Atlanta, and establishing a new TROPICAL party, inside for the winter. This kitschy, tiki-themed party pops up at Edgewood SPKEZ (that’s Speakeasy for those who need more vowels) and encourages tropical lewks. Expect to hear warm sounds of funk and tropical disco.
Wahine on why she decided to rejoin the DJ scene, “I’ve been spinning since ’04 but took a long hiatus and didn’t come back to it until earlier this year. ATL’s very welcoming scene has been a big part of that return.” $10. 10 p.m.-3 a.m. Edgewood SPKEZ, 327A Edgewood Ave. S.E. 404-343-4404.
!!!SATURDAY, NOVEMBER 23
Kinetic Light: “Descent” — The Georgia Tech Arts department has a new director, Dr. Aaron Shackelford. We met at the Ferst Center last month while an aerialist performed high above us on campus during a light and audio mash-up. Wearing a chic scarf and blazer in 90 percent humidity, Shackelford looks the part of a new art director, committing to the scarf despite the heat. His excitement to be in this new role is obvious — and infectious.
The performance I’m most looking forward to this month is by Kinetic Light, a team of dancers in wheelchairs who appear to defy gravity. Kinetic Light has traveled the globe performing “on an architectural ramp with hills, curves, and peaks” in shows that “celebrate the pleasure of reckless abandon.” $15-$25. 8 p.m.-10 p.m. Ferst Center for the Arts, Georgia Tech, 349 Ferst Drive N.W. 404-894-9600.
Nonsense ATL presents Atlanta Disco Society + special guest Ree de la Vega — It tiz zee season to hold up in a dark room and dance with strangers. It’s the only way to exist in cold temps, IMO. OK, obviously I like to do a lot of other activities in cold temps, but dressing in a disco lewk is def high on the list.
“Four times a year, Atlanta Disco Society celebrates the glamour, debauchery, and decadence of the Studio 54 era. With red carpets, a light-up dance floor, next-level fashion and lewks, and disco music from the 1970s through today, ADS is always a night to remember. For the November edition, we’re especially excited to have Ree de la Vega as our special guest, playing along with DJ Kimber.” — Nonsense ATL. $10. 10 p.m.-3 a.m. The Basement, 1245 Glenwood Ave. S.E. 404-622-8686. "
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Shameless copy/paste plug OTMonth: Psst… Xtra! Xtra! Weed all about it! Shameless plug for the latest episode of, “Friends in High Places.” Listen along as I interview the likes of those mapping out the cannabis industry for Georgians, bc it’s not coming, it’s here. For more updates: @CallMeMissConception @CreativeLoafingAtlanta
!!!__SATURDAY, NOVEMBER 2__
__”Girls That Go Bump in the Night,” Naked Girls Reading__ — I’m attracted to nudity, love a good topless beach, and wish, almost daily, that I could ride my bike topless with zero fux given by anyone in sight. I’m that person who replaces female nipples on the internet with those of a man to prove a nipple is just a nipple. Naturally, when I see an event with the word “naked,” I’m intrigued. No, I am not a pervert, I just don’t like being told what to do with my body, period!
“[https://nakedgirlsreading.com|Naked Girls Reading]” first started in Chicago “in March of 2009 as an idea of two international showgirls, Michelle L’amour and Franky Vivid. It is a group of beautiful ladies who love to read … naked. That’s really it. There’s not a whole lot more to it.” I have so many questions, but I guess I’ll just have to attend to find out. BTW, this [https://www.facebook.com/NGRATL/|Atlanta show] celebrates All Souls Day with ghost and horror stories. ''$20. 8:30 p.m. (doors). Metropolitan Studios, 1259 Metropolitan Ave. S.E. 404-219-2003. ''
!!!__THURSDAY, NOVEMBER 7–SUNDAY, NOVEMBER 10__
__Josephine, a burlesque cabaret dream play__ — Fringe Fest Atlanta is in its sixth year with 543 curtain calls and counting. This year’s standout performance is one that has already sold out shows across the U.S. ''[https://josephinetheplay.com|Josephine]'' portrays the celebrity life of Josephine Baker, an American ex-pat who moved to France in the 1920s and found success in film as a black woman. “(Baker) starred alongside white romantic leading men in films in the ’30s, had multiple interracial marriages and homosexual relationships, and performed in men’s clothing before the term ‘drag’ existed in the lexicon.”
On playing the lead role, performer Tymisha Harris says, "I believe the time is long overdue for strong women of color to have their voices heard and their stories told. Playing Josephine Baker for the last three years has made me a better performer and human. To be able to share this story that touches hearts and minds across the world has been the most fulfilling artistic endeavor of my life."
[https://atlantafringe.org/2019-festival/|Atlanta Fringe Festival] takes place over several days in venues across the city. You have four opportunities to catch “a burlesque cabaret dream play” at the Southwest Arts Center. Though it was established in 2001, I’m just learning of the Center now myself. It was the first Fulton County spot created for the sole purpose of inspiring and housing the arts. It is also MARTA-friendly. Take the train to the West End and hop a short bus. Have you been on a MARTA bus lately? They are clean, virtually empty, and it’s legal to text and ride. ''$25. 8 p.m. Nov. 7-9. 2 p.m. Sun., Nov. 10. [http://fultonarts.org/index.php/art-centers/southwest-arts-center|Southwest Arts Center], 915 New Hope Road S.W. 404-613-3220. ''
!!!__SATURDAY, NOVEMBER 9__
__Condom Couture__ — When it comes to philanthropic creativity, this event fits like a condom. Yes, you read it right and no, it’s not a dirty word. [https://www.condomcoutureatl.com|Condom Couture Atlanta] is shredding sexual taboos, raising money for Planned Parenthood, and supporting local artists with their upcoming fashion runway show at the Westside Cultural Center.
“We're doing this to raise awareness and funds for reproductive health care services, advocacy, and education in Georgia. For men, women, and families; all inclusive of cultures, genders and identities.” — Condom Couture Atlanta.
Local designers will create fashion lewks from condoms. They prefer to work with non-lubed condoms for garments, I’m told. ''$50-$300. 8 p.m.-10 p.m. [https://www.westsideartscenter.com|Westside Cultural Arts Center], 760 10th St. 404-594-6412.''
__[https://www.eventbrite.com/e/the-original-mannequin-project-2019-tickets-75234062105|The Original Mannequin Project 2019]__ — Four years ago, Atlantan Grayton Pinkston was born — and quickly diagnosed with cystic fibrosis. Almost immediately, a group of his family and friends formed Grayton’s Guardians to raise money for cystic fibrosis research. To date, they have participated in numerous walks and adventures around the country in Grayton’s name. Just last month, members of [http://fightcf.cff.org/site/TR?company_id=3271&pg=national_company|Grayton’s Guardians] hiked from the south ridge of the Grand Canyon to the north ridge to raise awareness and funding for cystic fibrosis research.
The upcoming Atlanta event, however, is a little different. Thrown in true Melrose & McQueen fashion, this is a party. There will be free beer, prizes, and antics at the Basement in EAV for the eighth year of The Mannequin Project, [http://www.melroseandmcqueen.com|Melrose & McQueen]’s annual charitable event. Each year, a different cause is chosen. I asked Grayton’s uncle, Mike Dean, about the connection between Grayton’s Guardians and the hair salon, and it’s quite a charming story.
“Our family’s story with Melrose and McQueen started seven years ago at Inman Park Fest. I dropped by because they were having a party, and the next thing I knew, I was getting my hair cut there each month. Sometimes I even dropped in with my dog, Buckley, who the staff adored. Slowly, each family member started going to Melrose. My wife Natalie, my sister, my brother in law, my mom, and my dad. Kristo and his team have always felt like an extended family. Once Grayton needed his first haircut he naturally was going to go where the rest of the family goes. Grayton's now goes to Melrose for his haircuts. Kristo, Amber, Laura, Kenny, and team usually stop by to say hey, and they talk about Grayton’s favorite subject: monster trucks. Next time you drop by the shop, take a look behind the bar and you’ll see pictures of Grayton and Buckley back there.
“We’re honored to have Grayton’s Guardians partner up with the Mannequin Project,” Dean continues, “because it’s different than other charity events. We love that it supports one of our favorite local businesses along with local artists in the community. We hope to see you there.” ''$10. 6 p.m.-10 p.m. 21+. The [https://basementatl.com|Basement, 1245 Glenwood Ave. S.E.] 404-622-8686.''
!!!__WEDNESDAY, NOVEMBER 13__
__Mommie Dearest at [https://plazaatlanta.com|The Plaza Theatre]__ — This month’s installment of Wussy programming at the Plaza Theatre is the usual camp cult genre, with Faye Dunaway starring in ''Mommie Dearest''. According to her fellow cast members, Dunaway was more difficult and terrifying than the role of Joan Crawford she was playing. I can’t imagine anyone over the age of 30 who hasn’t seen this film, but you’ll want to clear your closet of wire hangers before you return home. ''$15. 7 p.m.-10 p.m. The Plaza Theater, 1049 Ponce De Leon Ave. N.E. 470-225-6503.''
!!!__FRIDAY, NOVEMBER 15__
__[https://www.facebook.com/events/503963173516707/|Wahine’s Hideaway Vol. 1]__ — DJ Wahine is back, Atlanta, and establishing a new TROPICAL party, inside for the winter. This kitschy, tiki-themed party pops up at Edgewood SPKEZ (that’s Speakeasy for those who need more vowels) and encourages tropical lewks. Expect to hear warm sounds of funk and tropical disco.
Wahine on why she decided to rejoin the DJ scene, “I’ve been spinning since ’04 but took a long hiatus and didn’t come back to it until earlier this year. ATL’s very welcoming scene has been a big part of that return.” ''$10. 10 p.m.-3 a.m. [https://creativeloafing.com/business-572-edgewood-speakeasy|Edgewood SPKEZ], 327A Edgewood Ave. S.E. 404-343-4404. ''
!!!__SATURDAY, NOVEMBER 23__
[https://arts.gatech.edu/content/kinetic-light-descent|__Kinetic Light: “Descent”__] — The Georgia Tech Arts department has a new director, Dr. Aaron Shackelford. We met at the Ferst Center last month while an aerialist performed high above us on campus during a light and audio mash-up. Wearing a chic scarf and blazer in 90 percent humidity, Shackelford looks the part of a new art director, committing to the scarf despite the heat. His excitement to be in this new role is obvious — and infectious.
The performance I’m most looking forward to this month is by [https://kineticlight.org|Kinetic Light,] a team of dancers in wheelchairs who appear to defy gravity. Kinetic Light has traveled the globe performing “on an architectural ramp with hills, curves, and peaks” in shows that “celebrate the pleasure of reckless abandon.” ''$15-$25. 8 p.m.-10 p.m. [https://arts.gatech.edu/content/kinetic-light-descent|Ferst Center for the Arts], Georgia Tech, 349 Ferst Drive N.W. 404-894-9600.''
__[https://www.nonsenseatl.com|Nonsense ATL] presents [https://www.facebook.com/events/2601241503252441/|Atlanta Disco Society] + special guest Ree de la Vega__ — It tiz zee season to hold up in a dark room and dance with strangers. It’s the only way to exist in cold temps, IMO. OK, obviously I like to do a lot of other activities in cold temps, but dressing in a disco lewk is def high on the list.
“Four times a year, Atlanta Disco Society celebrates the glamour, debauchery, and decadence of the Studio 54 era. With red carpets, a light-up dance floor, next-level fashion and lewks, and disco music from the 1970s through today, ADS is always a night to remember. For the November edition, we’re especially excited to have [https://soundcloud.com/ree-de-la-vega|Ree de la Vega] as our special guest, playing along with [https://soundcloud.com/kimberatl|DJ Kimber].” — Nonsense ATL. ''$10. 10 p.m.-3 a.m. [https://basementatl.com|The Basement], 1245 Glenwood Ave. S.E. 404-622-8686. ''"
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string(10203) " DESCENT KineticLight Photo Jay Newman HIGH RES 2019-11-02T14:10:41+00:00 DESCENT_KineticLight_Photo_Jay_Newman HIGH RES.jpg themove Hey, y’all! What’s the move? DESCENT KineticLight Photo Jay Newman HIGH RES 2019-11-02T13:54:16+00:00 THE MOVE: Plan Accordingly. tony.paris Tony Paris Ema Carr ema.carr (Ema Carr) 2019-11-02T13:54:16+00:00 The Move is a column intended to help you beat the fight against basic, one move at a time. Look here for all the best underground, and some above ground, events in ATL. Bc you CAN have a balanced diet of disco and yoga. Warning of side effects: Overdose of culture and queerdom. Bloated bank account from lack of overpriced ticket purchase. Confusion meeting clarity via mind, body and soul. Consume at your own risk.
Shameless copy/paste plug OTMonth: Psst… Xtra! Xtra! Weed all about it! Shameless plug for the latest episode of, “Friends in High Places.” Listen along as I interview the likes of those mapping out the cannabis industry for Georgians, bc it’s not coming, it’s here. For more updates: @CallMeMissConception @CreativeLoafingAtlanta
!!!SATURDAY, NOVEMBER 2
”Girls That Go Bump in the Night,” Naked Girls Reading — I’m attracted to nudity, love a good topless beach, and wish, almost daily, that I could ride my bike topless with zero fux given by anyone in sight. I’m that person who replaces female nipples on the internet with those of a man to prove a nipple is just a nipple. Naturally, when I see an event with the word “naked,” I’m intrigued. No, I am not a pervert, I just don’t like being told what to do with my body, period!
“Naked Girls Reading” first started in Chicago “in March of 2009 as an idea of two international showgirls, Michelle L’amour and Franky Vivid. It is a group of beautiful ladies who love to read … naked. That’s really it. There’s not a whole lot more to it.” I have so many questions, but I guess I’ll just have to attend to find out. BTW, this Atlanta show celebrates All Souls Day with ghost and horror stories. $20. 8:30 p.m. (doors). Metropolitan Studios, 1259 Metropolitan Ave. S.E. 404-219-2003.
!!!THURSDAY, NOVEMBER 7–SUNDAY, NOVEMBER 10
Josephine, a burlesque cabaret dream play — Fringe Fest Atlanta is in its sixth year with 543 curtain calls and counting. This year’s standout performance is one that has already sold out shows across the U.S. Josephine portrays the celebrity life of Josephine Baker, an American ex-pat who moved to France in the 1920s and found success in film as a black woman. “(Baker) starred alongside white romantic leading men in films in the ’30s, had multiple interracial marriages and homosexual relationships, and performed in men’s clothing before the term ‘drag’ existed in the lexicon.”
On playing the lead role, performer Tymisha Harris says, "I believe the time is long overdue for strong women of color to have their voices heard and their stories told. Playing Josephine Baker for the last three years has made me a better performer and human. To be able to share this story that touches hearts and minds across the world has been the most fulfilling artistic endeavor of my life."
Atlanta Fringe Festival takes place over several days in venues across the city. You have four opportunities to catch “a burlesque cabaret dream play” at the Southwest Arts Center. Though it was established in 2001, I’m just learning of the Center now myself. It was the first Fulton County spot created for the sole purpose of inspiring and housing the arts. It is also MARTA-friendly. Take the train to the West End and hop a short bus. Have you been on a MARTA bus lately? They are clean, virtually empty, and it’s legal to text and ride. $25. 8 p.m. Nov. 7-9. 2 p.m. Sun., Nov. 10. Southwest Arts Center, 915 New Hope Road S.W. 404-613-3220.
!!!SATURDAY, NOVEMBER 9
Condom Couture — When it comes to philanthropic creativity, this event fits like a condom. Yes, you read it right and no, it’s not a dirty word. Condom Couture Atlanta is shredding sexual taboos, raising money for Planned Parenthood, and supporting local artists with their upcoming fashion runway show at the Westside Cultural Center.
“We're doing this to raise awareness and funds for reproductive health care services, advocacy, and education in Georgia. For men, women, and families; all inclusive of cultures, genders and identities.” — Condom Couture Atlanta.
Local designers will create fashion lewks from condoms. They prefer to work with non-lubed condoms for garments, I’m told. $50-$300. 8 p.m.-10 p.m. Westside Cultural Arts Center, 760 10th St. 404-594-6412.
The Original Mannequin Project 2019 — Four years ago, Atlantan Grayton Pinkston was born — and quickly diagnosed with cystic fibrosis. Almost immediately, a group of his family and friends formed Grayton’s Guardians to raise money for cystic fibrosis research. To date, they have participated in numerous walks and adventures around the country in Grayton’s name. Just last month, members of Grayton’s Guardians hiked from the south ridge of the Grand Canyon to the north ridge to raise awareness and funding for cystic fibrosis research.
The upcoming Atlanta event, however, is a little different. Thrown in true Melrose & McQueen fashion, this is a party. There will be free beer, prizes, and antics at the Basement in EAV for the eighth year of The Mannequin Project, Melrose & McQueen’s annual charitable event. Each year, a different cause is chosen. I asked Grayton’s uncle, Mike Dean, about the connection between Grayton’s Guardians and the hair salon, and it’s quite a charming story.
“Our family’s story with Melrose and McQueen started seven years ago at Inman Park Fest. I dropped by because they were having a party, and the next thing I knew, I was getting my hair cut there each month. Sometimes I even dropped in with my dog, Buckley, who the staff adored. Slowly, each family member started going to Melrose. My wife Natalie, my sister, my brother in law, my mom, and my dad. Kristo and his team have always felt like an extended family. Once Grayton needed his first haircut he naturally was going to go where the rest of the family goes. Grayton's now goes to Melrose for his haircuts. Kristo, Amber, Laura, Kenny, and team usually stop by to say hey, and they talk about Grayton’s favorite subject: monster trucks. Next time you drop by the shop, take a look behind the bar and you’ll see pictures of Grayton and Buckley back there.
“We’re honored to have Grayton’s Guardians partner up with the Mannequin Project,” Dean continues, “because it’s different than other charity events. We love that it supports one of our favorite local businesses along with local artists in the community. We hope to see you there.” $10. 6 p.m.-10 p.m. 21+. The Basement, 1245 Glenwood Ave. S.E. 404-622-8686.
!!!WEDNESDAY, NOVEMBER 13
Mommie Dearest at The Plaza Theatre — This month’s installment of Wussy programming at the Plaza Theatre is the usual camp cult genre, with Faye Dunaway starring in Mommie Dearest. According to her fellow cast members, Dunaway was more difficult and terrifying than the role of Joan Crawford she was playing. I can’t imagine anyone over the age of 30 who hasn’t seen this film, but you’ll want to clear your closet of wire hangers before you return home. $15. 7 p.m.-10 p.m. The Plaza Theater, 1049 Ponce De Leon Ave. N.E. 470-225-6503.
!!!FRIDAY, NOVEMBER 15
Wahine’s Hideaway Vol. 1 — DJ Wahine is back, Atlanta, and establishing a new TROPICAL party, inside for the winter. This kitschy, tiki-themed party pops up at Edgewood SPKEZ (that’s Speakeasy for those who need more vowels) and encourages tropical lewks. Expect to hear warm sounds of funk and tropical disco.
Wahine on why she decided to rejoin the DJ scene, “I’ve been spinning since ’04 but took a long hiatus and didn’t come back to it until earlier this year. ATL’s very welcoming scene has been a big part of that return.” $10. 10 p.m.-3 a.m. Edgewood SPKEZ, 327A Edgewood Ave. S.E. 404-343-4404.
!!!SATURDAY, NOVEMBER 23
Kinetic Light: “Descent” — The Georgia Tech Arts department has a new director, Dr. Aaron Shackelford. We met at the Ferst Center last month while an aerialist performed high above us on campus during a light and audio mash-up. Wearing a chic scarf and blazer in 90 percent humidity, Shackelford looks the part of a new art director, committing to the scarf despite the heat. His excitement to be in this new role is obvious — and infectious.
The performance I’m most looking forward to this month is by Kinetic Light, a team of dancers in wheelchairs who appear to defy gravity. Kinetic Light has traveled the globe performing “on an architectural ramp with hills, curves, and peaks” in shows that “celebrate the pleasure of reckless abandon.” $15-$25. 8 p.m.-10 p.m. Ferst Center for the Arts, Georgia Tech, 349 Ferst Drive N.W. 404-894-9600.
Nonsense ATL presents Atlanta Disco Society + special guest Ree de la Vega — It tiz zee season to hold up in a dark room and dance with strangers. It’s the only way to exist in cold temps, IMO. OK, obviously I like to do a lot of other activities in cold temps, but dressing in a disco lewk is def high on the list.
“Four times a year, Atlanta Disco Society celebrates the glamour, debauchery, and decadence of the Studio 54 era. With red carpets, a light-up dance floor, next-level fashion and lewks, and disco music from the 1970s through today, ADS is always a night to remember. For the November edition, we’re especially excited to have Ree de la Vega as our special guest, playing along with DJ Kimber.” — Nonsense ATL. $10. 10 p.m.-3 a.m. The Basement, 1245 Glenwood Ave. S.E. 404-622-8686. JAY NEWMAN MAKING EYE CONTACT AND SMILING: Laurel Lawson as Venus is flying in the air with arms spread wide, wheels spinning, and supported by Alice Sheppard as Andromeda who is lifting from the ground below. 0,0,1 themove THE MOVE: Plan Accordingly. "
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THE MOVE: Plan Accordingly. Article
Saturday November 2, 2019 09:54 AM EDT
Hey, y’all! What’s the move?
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CULTURE CLASH: Backstage at Dad's Garage Article
Monday December 9, 2019 11:58 AM EST
A Creative Loafing Podcast
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string(661) " Xmas Carol 2019-12-16T18:59:00+00:00 xmas carol.jpg A Creative Loafing Podcast Xmas Carol 2019-12-16T18:55:00+00:00 CULTURE CLASH: 'Invasion- Christmas Carol' at Dad's Garage will.cardwell Will Cardwell Jill Melancon jill.melancon (Jill Melancon) 2019-12-16T18:55:00+00:00
Host Jill Melancon speaks with director Amber Nash and actor Ed Morgan who plays Scrooge in this year's edition of Invasion: Christmas Carol about how you rehearse for a show that changes every night. Courtesy of Dad's Garage INVASION: Dad's Garage's yearly production. 0,0,10 CULTURE CLASH: 'Invasion- Christmas Carol' at Dad's Garage "
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CULTURE CLASH: 'Invasion- Christmas Carol' at Dad's Garage Article
Monday December 16, 2019 01:55 PM EST
A Creative Loafing Podcast
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Host Jill Melancon talks to Karen Anderson Singer, the artist behind Tiny Doors ATL, about what drew her to miniatures. Tiny Doors ATL TINY DOORS: A conversation with Karen Anderson Singer. 0,0,10 CULTURE CLASH: Tiny Doors ATL "
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CULTURE CLASH: Tiny Doors ATL Article
Monday February 3, 2020 12:19 PM EST
A Creative Loafing Podcast
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