Atlanta Film Festival
Browse the Atlanta Film Festival schedule as well as recommendations. CL's critics & readers weigh in on the definitive guide to the event.
Last year, the Atlanta Film Festival programmed such films that won national acclaim, including the Mr. Rogers documentary Won’t You Be My Neighbor?, the drama Blindspotting with Daveed Diggs, and critically beloved Eighth Grade.
One of this year’s highlights promises to be the April 5 opening night presentation of The Farewell, a drama starring Awkwafina that was a hit at this year’s Sundance Film Festival. Writer/director Lulu Wang will be in attendance. The ATLFF’s closing night production, Them That Follow, looks at a community of Appalachian snake handlers and stars newly-minted Oscar winner Olivia Colman opposite “Justified”’s Walton Goggins. Goggins had an early career breakthrough starring in the Oscar-winning short film “The Accountant,” which first played at the ATLFF and remains one of the best films ever made about the South.
This year, the 43rd festival drew from a record-breaking 8,400 submissions to present 31 features and almost 100 short films from April 4 through14. The ATLFF estimates that 20 percent of the productions have Georgia connections, either coming from native Georgian filmmakers or being filmed in the state. While the festival screens documentaries and narrative features from around the world, it also conveys the many facets of the expanding local motion picture industry.
One impressive local debut is Reckoning, by Ruckus and Lane Skye. The married filmmakers make the most of a limited budget in an Appalachian thriller with echoes of “Justified” and Winter’s Bone. Danielle Deadwyler gives a compelling performance as Lemon, a mother of a young boy, whose missing husband’s poor choices entangle her between two feuding families.
The surreal dark comedy Greener Grass, also filmed in Georgia, captures the sinister undertones of an even more harmless-looking location. Writer/directors Jocelyn DeBoer and Dawn Luebbe play a pair of soccer moms in an idyllic but creepy suburb where the adults all have braces and wear pastels, and everything operates under dream logic. At one point the wives chat at a party, kiss their respective spouses in uncomfortable close-ups, then stop and exclaim “Oops, wrong husbands!” and switch for the remainder of the film.
Jacqueline Olive’s powerful documentary Always in Season presents a scathing indictment of the legacy of American racism. In part, it offers an expose on the 2014 death of teenage Lennon Lacey, who was found hanging from a swing set near his home in Bladenboro, NC. The death was ruled a suicide despite the family and community’s belief that it was a lynching.
The shorts program, “It’s a Wonderful Day in the Neighborhood,” offers a kind of kaleidoscopic look at the diversity of styles and concerns in local filmmaking. As if in tune with Atlanta’s horror scene, Jared Callahan’s “Meat Eater” and Brian Lonano’s “Gwilliam’s Tips for Turning Tricks into Treats” have fun flipping grisly entertainment tropes upside down. Molly Coffee’s “Cracks” offers a snapshot of the punk scene in a dialogue-free character study about a young woman whose self-perception takes a blow after an assault.
Robyn Hicks’ “Nobody’s Darling,” unfolds as a lovely two-hander starring Caitlin Josephine Hargraves and P. David Miller, as a young hitchhiker and an older man who meet in a bar and make a deeper connection than anyone expects. And Lithonia High School serves as one of the backdrops of “dear, dreamer,” a short profile of YA author Jason Reynolds that celebrates the rhythms and possibilities of language.
Other local films include Pageant Material, a gay, Southern retelling of “Cinderella,” that was filmed in Georgia by director Jonothon Williams and culminates at a teen drag pageant in Atlanta. -Curt Holman-
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